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From Amazon.com
Leonard Slatkin, who has done such outstanding service for American music, upholds the Copland tradition with potent, sympathetically argued accounts of the big ballets. The performances by the Saint Louis Symphony could hardly be bettered, and the recordings stand out for their solid sound as well. Slatkin does both Billy the Kid and Rodeo in full, restoring some delightful music in both scores that is missed when only the suites are presented. In Rodeo, for example, it comes as a delicious surprise to hear the Saloon-piano interlude before the "Saturday Night Waltz"--and Slatkin insists on an out-of-tune upright--just the right touch. These are idiomatic, persuasive accounts, thrilling in their buildups and potent in their climaxes. Even Appalachian Spring is done in full, though in its version for full orchestra. The treatment here is gentle, and while Slatkin generates less voltage than Bernstein, his reading has nobility and an engaging warmth. The recordings were made at a rather low level, but have a wonderful ambience and extraordinary dynamic range. Unfortunately, the individual scenes of both Billy the Kid and Appalachian Spring are not separately banded. --Ted Libbey
Album Description
This disc presents superb new recordings of two Copland masterpiecesthe original version of the "Appalachian Spring Suite" and the jazz-influenced "Music for the Theater". Conductor Steven Richman and His Harmonie Ensemble/New York have a long history with these two works. In 1980, in celebration of his 80th birthday, Aaron Copland conducted the Harmonie Ensemble in the "Appalachian Spring Suite" and worked closely with conductor Richman and the Harmonie Ensemble on a performance of "Music for the Theater". In 1957, Copland began work on a violin concerto for Isaac Stern. The project never reached fruition, but in 1986, Phillip Ramey and Bennett Lerner, with the composer's assistance, found that the sketches yielded the "Two Ballads" with almost no changes. Eugene Drucker, violinist of the Emerson Quartet, performs, accompanied by pianist Diane Walsh. Mr. Drucker is then joined by fellow Emerson Quartet member, violist Lawrence Dutton, in a reading of Copland's rarely performed and unpublished "Elegies". This somber work, composed in Mexico in 1932, was written in response to the suicide of the poet Hart Crane. Perhaps the most unusual recording on this disc is legendary conductor Arturo Toscanini's own transcription of Copland's popular "El Sal Mico", given its premiere recording here. Made in 1942, undoubtedly to familiarize the conductor with the piece, Toscanini's manuscript was given to Copland by Walter Toscanini, the conductor's son, in 1961. Mr. Richman discovered the arrangement while researching in the Toscanini Archive in New York.
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![Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man; Hindemith: Symphonic Metamorphosis [Hybrid SACD]](http://ec3.images-amazon.com/images/I/418XDMFCSTL._SL75_SS50_.jpg) |
51%のカスタマーが、このページの商品を購入しています。 Copland: Appalachian Spring; Rodeo; Fanfare for the Common Man; Hindemith: Symphonic Metamorphosis [Hybrid SACD]￥ 1,972 |
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49%のカスタマーが Bernstein Century - Copland: Appalachian Spring, Rodeo, etc / Bernstein, New York POを購入しています ￥ 1,041 |
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