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Product Details
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Track Listings
| 1. Heaven's Gonna Burn Your Eyes |
| 2. Facing East |
| 3. The Outernationalist |
| 4. Interlude |
| 5. Omid (hope) |
| 6. All That We Perceive |
| 7. Un Simple Histoire (A Simple History) |
| 8. Meu Destino (My Destiny) |
| 9. Exilio (exile) |
| 10. From Creation |
| 11. The Richest Man In Babylon |
| 12. Liberation Front |
| 13. The State Of The Union |
| 14. Until The Morning |
| 15. Resolution |
Product Description
From Amazon.co.uk
The Richest Man In Babylon is the third full-length record from Thievery Corporation and finds this atmospheric Washington DC-based electronica duo indulging their esoteric chill-out impulses, blending far-flung world-music influences into a slick, high-production trip-hop cocktail. With an emphasis on keeping it organic, Thievery Corporation boast a radically different sound to their sterile, mechanical-sounding peers: "The Outernationalist" wraps its ethereal electronic synthplay in dub-tinged passages of trippy Rastfari mysticism, while "Facing East" blends wailing Bhangra vocals and whirling sitars into a hypnotic, downotempo whole. They're not exactly on the cutting-edge of this sort of thing--"Un Simple Histoire" and "All That We Perceive" could easily have slipped neatly onto Air's Moon Safari, while the rolling brass of "Liberation Front" bears an uncanny resemblance to Nightmares on Wax circa Car Boot Soul. But like the greatest bits of DJ Shadow's The Private Press, it's often hard to say exactly how these complex, soulful tracks were pieced together in the soulless environment of the studio. It's a cool, impressive achievement. --Louis Pattison
Album Details
Rob Garza and Eric Hilton consider it their most introspective work to date. Existing somewhere between rock, dub, psychedelic, Latin, and electronic music, this 2002 album finds the duo elevating their signature sound with more contemplative and thought-provoking songwriter. The jewel case is housed in a slipcase along with a 40-page black & white photo booklet. Eighteenth Street Lounge. 2002.
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