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クリエイション閉鎖によるコロンビアUK移籍第1弾、通算7作目の作品。センセーショナルな話題となった「Bomb The Pentagon」の歌詞と曲名が変更された<5>、ロバート・プラントがハーモニカで参加した<6>、スーパーモデルのケイト・モスが参加したバンド史上初のデュエットソング<8>、映画ブレードランナーの原作者フィリップ・K・ディックの77年発表「暗闇のスキャナー」からインスパイアされた<10>と聴きどころ満載。彼らの醸し出す野蛮さからは、良い意味で伝説のロックバンド的香りさえ感じさせる。21世紀近未来型ロックの名盤。（高山武樹）
From Amazon.co.uk
It may sound like a soundclash conceived by graphic designers in Hoxton, but Primal Scream’s
Evil Heat is oddly fantastic. The plot this time is to streamline the massive sounds of 2000's superb
Xtrmntr, and to combine two currently potent genres: raw, sexually charged electro and raw, sexually charged rock'n'roll. The key, as ever with Primal Scream, is their collaborators. Hence old mucker Andy Weatherall returns to the fold and turns "Autobahn 66" into a beautiful motorik meditation that simultaneously recalls their own
Screamadelicaand the autobahn fantasies of Krautrockers
Neu!. Meanwhile,
My Bloody Valentine's genius leader Kevin Shields feeds most of the other tracks through his disorientation and distortion effects deck, so that even the most rudimentary New York punkers like "Skull X" and "City" sound originally twisted rather than mere homages.
In the midst of it all there's Gillespie, posing like fury, yelping the received wisdom of a thousand dirty rock biogs, far more camp than he can possibly conceive. But Evil Heat, perhaps accidentally, captures the paradox at the heart of truly great rock'n'roll: that the old myths and ideas can still be reinvented, sometimes as comedy, sometimes as revolution, sometimes as both simultaneously.--John Mulvey
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