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Bel Canto
 
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Bel Canto [Import] [from US]

~ London Philharmonic Orchestra (アーティスト), Gaetano Donizetti (作曲), Vincenzo Bellini (作曲), Evelino Pid (指揮), Roberto Alagna (Tenor)
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1. Donizetti: Poliuto: Veleno e l'aura ch'io respiro!
2. Donizetti: Polluto: Sfolgoro divino raggio
3. Bellini: La sonnambula: Prendi, l'anel ti dono
4. Donizetti: La Favorite: Un ange, une femme inconnue
5. Donizetti: La Favorite: La maitresse du roi?
6. Donizetti: La Favorite: Ange si pur
7. Donizetti: Don Pasquale: Sogno soave e casto
8. Bellini: Norma: Meco all'altar di Venere...
9. Bellini: Norma: Me protegge, me difende
10. Donizetti: Roberto Devereux: Ed ancor la tremenda porta...
11. Donizetti: Roberto Devereux: A te diro negli ultimi
12. Donizetti: Dom Sebastien: Seul sur la terre
13. Bellini: I puritani: A te, o cara
14. Donizetti: L'elisir d'amore: Quanto e bella
15. Donizetti: L'elisir d'amore: Una furtiva lagrima
16. Bellini: Il pirata: Ascolta. Nel furor delle tempeste
17. Donizetti: La Fille du regiment: Pur me rapprocher de Marie
18. Donizetti: La Fille du regiment: Ah, mes amis
19. Donizetti: La Fille du regiment: Messieurs son pere...
20. Donizetti: La Fille du regiment: Pour mon ame

Product Description

From Amazon.co.uk

On this disc, tenor Roberto Alagna concentrates solely on the work of bel canto masters Donizetti and Bellini. These are composers who foreground vocal timbre and rely on highly decorated melodies to propel their dramas. Alagna's voice is therefore placed under a rather harsh spotlight, with none of the carefully wrought orchestral effects or complex harmonies of Verdi and Puccini (his more usual operatic territory) to support him. Generally he succeeds beautifully and produces some rich, varied singing with a burnished heroic edge. In the more declamatory arias, such as "Sfolgorò divino raggio" from Poliuto and "Me protegge" from Norma, his powerful high Cs and C-sharps are stunning and raise the hairs on the back of your head--they're not called "money-notes" for nothing. He is less successful in the gentler areas of the repertoire, however, with its long-breathed delicate melodies which call for a greater degree of legato--the tender "Una furtiva lagrima" from L'elisir d'amore is wrestled into submission rather than caressed. That said, the orchestral playing is delicious, particularly in "Sogno soave" from Don Pasquale, and the overall disc contains much to please.--Warwick Thompson

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