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Richter Rediscovered
 
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Richter Rediscovered [Original recording remastered] [Import] [from US]

~ Frederic Chopin (作曲), Claude Debussy (作曲), Franz Joseph Haydn (作曲), Sergey Prokofiev (作曲), Sergey Rachmaninov (作曲), et al.
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Product Details
Disc: 1
1. Applause
2. Son No.60 in C, H.XVI/50: Allegro
3. Son No.60 in C, H.XVI/50: Adagio
4. Son No.60 in C, H.XVI/50: Allegro Molto
5. Scherzo No.4 in E, Op.54
6. Ballade No.3 in A flat, Op.47
7. Prld in f#, Op.23 No.1
8. Prld in A, Op.32 No.9
9. Prld in b, Op.32 No.10
10. Prld in g#, Op.32 No.12
See all 12 tracks on this disc
Disc: 2
1. Applause
2. Son No.6 in A, Op.82:
3. Son No.6 in A, Op.82:
4. Son No.6 in A, Op.82:
5. Son No.6 in A, Op.82:
6. Visions Fugitives, Op.22: No.3 Allegretto
7. Visions Fugitives, Op.22: No.4 Animato
8. Visions Fugitives, Op.22: No.5 Molto Giocoso
9. Visions Fugitives, Op.22: No.6 Con Eleganza
10. Visions Fugitives, Op.22: No.8 Commodo
See all 22 tracks on this disc

Product Description

Amazon.co.jp

   RCAビクターの『Richter Rediscovered』で、スヴャトスラフ・リヒテルは自らが目指してきたものを初めて乗り越えた、確信の演奏を聴かせてくれる。この2枚組CDに収められているのは、リヒテルが1960年12月26日カーネギー・ホールで行ったリサイタルの全曲と、その2日後にニューアークのモスク・シアターで開かれたリサイタルのアンコール曲である。

   リヒテルのライブ録音は、ほとんどの場合、演奏の細部が欠落している。たとえば、プリズム分解された音の帯、あるいは、トリプル・ピアニシモからトリプル・フォルティシモに跳ぶ一瞬の動きがとらえられていない。しかし、RCAの録音はニュアンスの変化と強弱の幅をみごとに収録している。宝石細工のような完璧さと自由なリズムで表現でされるハイドンのソナタ50番ハ長調。より柔らかな音で、その粗々しさを薄めることなく、多彩に表現するプロコフィエフのソナタ第6番。曲に潜む繊細なメロディーを微妙に引き出すことによって、さらに魅力的になったラフマニノフの序曲イ長調。タッチとリズムの巧みな変化で息を飲む詩的美しさを帯びたショパンの練習曲変イ長調（Op.10,No.10）など。現代の若者たちが、われわれ世代の記憶にあるリヒテルを“ライヴ”で聴くことができるのである。（Amazon.com, Stephen Wigler）



From Amazon.com

RCA Victor's Richter Rediscovered lets us hear Sviatoslav Richter perform with intensity and purpose he rarely matched and still more rarely surpassed. This two-CD set comprises Richter's entire Dec. 26, 1960, Carnegie Hall recital and several encores from the same program two days later in Newark's Mosque Theater. Most transcripts of Richter's live performances miss details in his playing--the prismatic shimmer of his tone in all registers, for example, or the way he could instantaneously jump from triple pianissimo to triple fortissimo. But RCA's superb recorded sound does justice to the pianist's variety of nuance and range of dynamics. Younger listeners will now hear Richter "live" the way we older ones remember him: performing Haydn's Sonata No. 50 in C with lapidarian perfection as well as with freedom of rhythm and expression; diversifying, without diluting, the savagery of Prokofiev's Sonata No. 6 by employing softer colors than those usually heard; playing Rachmaninov's Prelude in A with gigantic chords made more all the more impressive by the subtle emergence of the delicate melody from within them; and endowing Chopin's Étude in A flat (Op. 10, No. 10) with breathtaking poetry through ingenious variations of touch and rhythm. --Stephen Wigler

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