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Le Boeuf sur le toit: French Works for Violin & Orchestra
 
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Le Boeuf sur le toit: French Works for Violin & Orchestra [Import] [from US]

~ Hector Berlioz (作曲), Jules Massenet (作曲), Darius Milhaud (作曲), Maurice Ravel (作曲), Camille Saint-Saens (作曲), et al.
5.0 out of 5 stars  See all reviews (1 customer review)
Price: ￥ 2,369 (Tax Included) & eligible for Free Shipping. Details
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Product Details
1. Intro Et Rondo Capriccioso in a, Op.28
2. Meditation De Thais
3. Havanaise in E, Op.83
4. Tzigane: Rhap
5. Valse-Caprice After Etude En Forme De Valse, Op.52 No.6
6. Danse Macabre - Sym Poem, Op.40
7. Reverie Et Caprice, Op.8
8. Le Boeuf Sur Le Toit, Op.58b

Product Description

From Amazon.co.uk

Just another disc of flashy French frippery? Actually, no. You may not have heard of violinist Renaud Capuçon but on the basis of this recital CD, he's an A-list player, no question. And it's a well chosen recital, too, combining the popular (Massenet's "Méditation", Saint-Saëns' Introduction et rondo capriccioso) with some slightly more off-beat choices (Berlioz's Rêverie et caprice, Milhaud's Le Boeuf sur le toit in its violin-and-orchestra incarnation). Capuçon plays a Strad that once belonged to the great Fritz Kreisler, and the sound that he makes is ravishing and richly multi-faceted, whether in Saint-Saëns' fiendish Danse macabre or Ravel's gypsy-inspired Tgizane. Perhaps the best is left till last--Milhaud's own arrangement of Boeuf (intended, though never used, as an accompaniment to footage of Charlie Chaplin). Already outrageous in spirit and harmony in its purely orchestral guise, the addition of a fiendish solo part (complete with a manic cadenza by Honegger) seems to have inspired even greater musical malarkey. It's a piece that falls flat on its face if the players aren't up to it, but that's simply not an issue here. Capuçon's brilliance is matched throughout the disc by the playing of the Deutsche Kammerphilharmonie under the inspired leadership of Daniel Harding, and the recording is a fine one. The very thing to brighten the darkest of days. --Harriet Smith

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6 of 8 people found the following review helpful:
5.0 out of 5 stars 注目の気鋭による小品集, 2002/11/27
By でかだん (東京都目黒区駒場) - See all my reviews
弱冠三十歳のフランスの若手ルノー・カプソンの演奏は、あまりにも奏かれ過ぎたがゆえにもはや１％の斬新さの可能性も疑わしい小品につきまとう陳腐さから、奇跡的に免れている。おそらくどれ一つとして、曲の旋律美に、あるいはストラディヴァリウスの美音にまかせて等閑にされたフレーズはない。そしてハーディングとドイツ室内管のコントラストの効いた伴奏は、これらの曲のオーケストラ・パートにこれほどまでに可能性があったのだということを、改めて思い知らせてくれる。これはやはり、ヴィルトゥオーゾ・ヴァイオリニストがいわゆる伴奏指揮者を得て気軽に奏いたアンコール・ピースではないのだ。気鋭の二人が、極度の集中力をもって録音した一枚なのである。ここでは諧謔も毒もエロスも頽廃も、全てが徹底している。一曲目の冒頭から、聴き手は彼らの魔力に惹き付けられ、そして最後の『屋根の上の牛』を聴き終えた後、いつまでもその音が耳の中で響いていることだろう。
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