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Roberto Alagna - French Arias / Bertrand de Billy
 
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Roberto Alagna - French Arias / Bertrand de Billy [Import] [from US]

~ Francois Bazin (作曲), Hector Berlioz (作曲), Georges Bizet (作曲), Alfred Bruneau (作曲), Luigi Cherubini (作曲), et al.
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1. Maitre Pathelin: Act 1. Romance: Je Pense A Vous
2. Le Cid: Act 3: Ah! Tout Est Bien Fini!... O Souverain, O Juge, O Pere
3. Les Abencerages: Act 2. Recitatif Et Air: Suspendez A Ces Murs... J'ai Vu Disparaitre L'espoir
4. Mireille: Act 3. Cavatine: Mon Coeur Est Plein D'un Noir Souci... Anges Du Paradis
5. L'Amant Jaloux: Act 2. Ser: Tandis Que Tout Sommeille
6. La Juive: Act 4. Air: Rachel, Quand Du Seigneur
7. Mignon: Act 3. Romance: Elle Ne Croyait Pas, Dans Sa Candeur Naive
8. L'Africaine: Act 4: Pays Merveilleux
9. La Damnation De Faust: Part 4, Scene XVI. Invocation A La Nature: Nature Immense
10. Iphigenie En Tauride: Act 2. Recitatif Et Air: Quel Langage Accablant... Unis Des La Plus Tendre...
11. Les Pecheurs De Perles: Act 1. Recitatif Et Romance: A Cette Voix Quel Trouble Agitait Tout Mon...
12. Le Roi D'ys: Act 3. Puisqu'on Ne Peut Flechir... Vainement, Ma Bien-aimee
13. Joseph: Act 1. Recitatif Et Air: Vainement Pharaon Dans Sa Reconnaissance... Champs Paternals
14. Samson Et Dalila: Act 3: Vois Ma Misere, Helas!
15. L'Attaque Du Moulin: Act 2: Le Jour Tombe, La Nuit Va Bercer Les Grands Chenes

Product Description

From Amazon.com

Roberto Alagna is without peer among contemporary tenors in the French repertory, as this excellent collection of staples, sprinkled with rarities, demonstrates. He has the right blend of sweetness for the lyric selections and exciting vocal heft for those requiring more muscle. If one must find something to carp at, it's the tenor's occasional tendency to slip into an inappropriate Italianate verismo style. Examples of the "sweet" Alagna are his gorgeous floating soft ending to "Je crois entendre encore," from Bizet's The Pearlfishers, and the lovely head voice in the Lalo aria. His "Rachel, quand du Seigneur," a favorite of tenors from Caruso to Richard Tucker, is taken at a sluggish tempo, but it has the requisite vocal finish and characterization. And Alagna creates the necessary sense of wonder in the opening of "Pays merveilleux," from Meyerbeer's L'Africaine. The Bruneau selection that closes the disc is a welcome rescue of a lovely farewell-to-life aria from a long-forgotten late-Romantic opera. Unlike most collections done with a generalized, one-size-fits-all approach, Alagna's finds him almost always in character. Bertrand De Billy's accompaniments are sometimes too restrained (the orchestral introduction to the Bizet aria is downright sleepy), but that shouldn't keep admirers of French opera and world-class singing from grabbing this disc. --Dan Davis

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