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Boulez: Sur Incises/Messagesquisse/Anthms 2
 
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Boulez: Sur Incises/Messagesquisse/Anthms 2 [Import] [from US]

~ Jean-Guihen Queyras (Cello), Pierre Boulez (作曲), Pierre Boulez (指揮), Ensemble InterContemporain [members of] (合奏), Ensemble de violoncelles (合奏), et al.
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Product Details
1. Sur Inceses: Moment I
2. Sur Inceses: Moment II
3. Messagesquisse: Tres lent
4. Messagesquisse: Tres rapide
5. Messagesquisse: Sans tempo, libre
6. Messagesquisse: Aussi rapide que possible
7. Anthemes 2: Libre
8. Anthemes 2: I. Tres lent, avec beaucoup de flexiblite - Libre
9. Anthemes 2: II. Rapide, dynamique, tres rythmique, rigide - Libre
10. Anthemes 2: III. Lent, regulier - Nerveux, irregulier - Libre
11. Anthemes 2: IV. Agite, instable - Libre
12. Anthemes 2: V. Tres lent, avec beaucoup de flexibilite - Subitement nerveux et extremement irregulier - Libre
13. Anthemes 2: VI. 1. Allant, assez serre dans le tempo
14. Anthemes 2: VI. 2. Calme, regulier - Agite - Brusque
15. Anthemes 2: VI. 3. Calme, sans trainer, d'un mouvement tres regulier - Libre

Product Description

From Amazon.com

To see the future of classical music, just look to the projects of Pierre Boulez. Whether conducting Bruckner, Mahler, or one of his own compositions, he continues to surprise, embellish, and reinvent the shape of music today. Sur Incises gathers three Boulez works that each focus, at least in part, on a singular instrument. The world-premiere title track uses three pianos, three harps, and three percussionists to create a dense, atonal, but very pianistic universe of sound. On repeated listenings, the abstract piece becomes more rewarding; you eventually pick up on Boulez's keen eye for tonal colors and shadings. On Anthemes 2, the piercing sounds of Hai-Sun Kang's violin are sampled, manipulated, and relayed back to her via electronics. Here, you won't find the lush Impressionism that Boulez hints at with Sur Incises, but you will find a fascinating interplay between organic and synthetic sounds. Messagesquisse for six cellos achieves similar results; the solo cello of Jean-Guihen Queyras is echoed and hinted at by five other cellists. As on their acclaimed recording of the composer's Répons, the Ensemble InterContemporain sets a high standard for these works, and DG does an excellent job with the recorded sound. These pieces may lack some of the musical magic of Repons, but they're no less fascinating. --Jason Verlinde

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