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Product Details
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Track Listings
| 1. Feste romane: Circenses - Circuses |
| 2. Feste romane: Il giubileo - Jubilee |
| 3. Feste romane: L'ottobrata - October festival |
| 4. Feste romane: La Befana - Epiphany |
| 5. PINI DI ROMA: I pini di Villa Borghese - At the Villa Borghese |
| 6. PINI DI ROMA: Pini presso una catacomba - By a catacomb |
| 7. PINI DI ROMA: I pini del Gianicolo - On the Janiculum |
| 8. PINI DI ROMA: I pini della Via Appia - On the Appian Way |
| 9. Suite from 'Le Coq d'or': King Dodon in his palace - Le tsar Dodon chez lui |
| 10. Suite from 'Le Coq d'or': King Dodon on the battlefield - Le tsar Dodon en campagn |
| 11. Suite from 'Le Coq d'or': King Dodon with the Queen of Shemakha - Le tsar Dodon chez la reine |
| 12. Suite from 'Le Coq d'or': The marriage feast and lamentable end of King Dodon - La Noce et la fin pitoyable de Dodon |
Product Description
内容（「CDジャーナル」データベースより）
レスピーギのカラフルなオーケストレーションとダイナミクスの絶妙な振幅を、手兵の響きをカラフルにいかして、各場面を巧みに描き分けた名演。オケの実力を出しきる手腕はさすがだ。
From Amazon.co.uk
More sonic blockbusters from the Decca vaults. Both the Respighi tone poems in particular receive stunningly realistic and wide-ranging treatment from the recording engineers, while the Clevelanders respond with jaw-dropping discipline and sophistication. In Feste romane, Maazel uncovers more ear-burning detail within Respighi's kaleidoscopic orchestral canvas than any other rival (listening with the miniature score to hand is nothing short of a revelation). The results are intensely refreshing, if perhaps just a little heartless. Similarly, Pines of Rome brings another giddily assured display, aptly overwhelming in its sense of all-engulfing spectacle, yet ravishingly beautiful too in the fragrant third section (at the close of which Respighi magically incorporates the sound of a genuine nightingale). The luxuriant sheen of the Cleveland strings both here and in the gorgeous third movement of the orchestral suite from Rimsky-Korsakov's final opera The Golden Cockerel remains a thing of wonder, as are the breathtaking co-ordination and bite these artists bring to King Dodon's demise in the closing tableau. Elsewhere, Maazel wrings every drop of "once upon a time" wonder from Rimsky's fantastical inspiration, and Decca's 1979 sound is fabulously rich and glowing to match. --Andrew Achenbach
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- ミュージック > クラシック > Decca
- ミュージック > クラシック > オペラ・声楽
- ミュージック > クラシック > オペラ指揮者 > マゼール
- ミュージック > クラシック > オーケストラ > クリーブランド管弦楽団
- ミュージック > クラシック > 作曲家別 > ラ行 > リムスキー＝クルサコフ
- ミュージック > クラシック > 作曲家別 > ラ行 > レスピーギ
- ミュージック > クラシック > 器楽 > 交響曲・管弦楽曲 > マ・ヤ・ラ・ワ行の作曲家 > レスピーギ
- ミュージック > クラシック > 指揮者別 > マゼール
- ミュージック > 輸入盤 > Classical > Classical Instrumental > Composers > Q-R > Respighi
- ミュージック > 輸入盤 > Classical > Classical Instrumental > Composers > Q-R > Rimsky-Korsakov
- ミュージック > 輸入盤 > Classical > Classical Instrumental > Performers > Conductors > Maazel, Lorin
- ミュージック > 輸入盤 掘り出し市 > Classical
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