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Product Details
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Track Listings
| 1. It Became Dark: von Schweden: Christe patris excelsi | |||
| 2. It Became Dark: Corteccia: Tenebrae factae sunt | |||
| 3. It Became Dark: Charpentier: Tenebrae facte sunt | |||
| 4. It Became Dark: de Victoria: Lamentations of Jeremiah: Good Friday Lectio tertia | |||
| 5. She Stood At The Foot Of The Cross: Giustiniani: Stava a pie de la croce | |||
| 6. II. She Stood At The Foot Of The Cross: Tu Solus, Qui Facis Mirabilia | |||
| 7. II. She Stood At The Foot Of The Cross: Popule Meus | |||
| 8. II. She Stood At The Foot Of The Cross: Vexilla Regis/Passio Domini | |||
| 9. III. It Is Finished: Ay, Que Dolor! | |||
| 10. III. It Is Finished: Messiah: Behold, And See (Arioso) | |||
| 11. III. It Is Finished: Johannes-Passion, SWV481: Conclusion | |||
| 12. III. It Is Finished: Son in G, HWV358: Adagio; Allegro | |||
| 13. IV. The Sun Beams Out With Bright Easter Joy: Sermone Blando | |||
| 14. IV. The Sun Beams Out With Bright Easter Joy: Kyrie Paschale | |||
| 15. IV. The Sun Beams Out With Bright Easter Joy: Alleluia: Dominica Resurrectionis. Motet: Tu Decus... | |||
| 16. IV. The Sun Beams Out With Bright Easter Joy: Alleluja Haec Dies | |||
| 17. V. The Lamb Was Redeemed His Sheep: Victimae Paschali Laudes | |||
| 18. V. The Lamb Was Redeemed His Sheep: Victimae Paschali Laudes | |||
| 19. V. The Lamb Was Redeemed His Sheep: Cantio Surrexit Christus Hodie | |||
| 20. V. The Lamb Was Redeemed His Sheep: Regina Coeli Laetare | |||
See all 23 tracks on this disc
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Product Description
From Amazon.com
This is the third in the series of compilation discs assembled by Robert Aubry Davis, host and producer of the long-standing public radio series Millennium of Music. Where volume two of the series drew on music for the Christmas season, this volume concentrates on music for Holy Week and Easter; more interestingly, it draws from the rich and varied catalog of early music recordings distributed in the U.S. by Qualiton Imports under the "Gioia Antiqua" imprint. Possibly the most valuable thing about this is that it features lesser-known performers right alongside well-established, highly respected groups such as the Orlando Consort and the Bach Collegium Japan (both in fine form here). Of course, with such a variety of lesser-known ensembles and small labels, this juxtaposition flatters some of these artists more than others. Some appear quite impressive (Schola Gregoriana Pragensis and Ensemble Daedalus, for example); others seem not ready for prime time (Westfälische Kantorei and the Spanish choir Musica Ficta). A particular treat is a medieval motet played by the legendary Dutch recorder trio Sour Cream (one of whose members was conductor Frans Brüggen). On a reasonably priced compilation disc like this, variable quality isn't a major drawback--use it to explore, find what appeals to you, and go on from there. It should be quite a stimulating endeavor. --Matthew Westphal
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