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Rough 'n' Tumble
 
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Rough 'n' Tumble [Original recording remastered] [Import] [from US]

~ スタンリー・タレンタイン
5.0 out of 5 stars  See all reviews (1 customer review)

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5 new from ¥ 841 2 used from ¥ 2,837

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Product Details

  • CD (2000/5/9)
  • Original Release Date: 1966/7/1
  • Number of Discs: 1
  • Format: Original recording remastered, Import, from US
  • Label: Blue Note
  • ASIN: B00004SQ2D
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.jp Sales Rank: #211,140 in 音楽 (See Bestsellers in 音楽)

    Category Ranking:

    #55 in  音楽 > ジャズ・フュージョン > 楽器別 > サックス > Stanley Turrentine
    #17499 in  音楽 > ジャズ・フュージョン > J-ジャズ

1. And Satisfy
2. What Could I Do Without You
3. Feeling Good
4. Shake
5. Walk On By
6. Baptismal

Product Description

From Amazon.com

Finally, this 1966 gem is available on CD. Though one of majestic-toned, blues-and-bop tenor saxophone maestro Stanley Turrentine's lesser-known albums, Rough 'n' Tumble is nonetheless a foot-stomping delight. On six very engaging numbers, Stanley is surrounded by a dynamic seven-piece all-star band that features trumpeter Blue Mitchell, baritone saxophonist Pepper Adams, guitarist Grant Green, drummer Mickey Roker, and McCoy Tyner (!!!) on piano. The very solid arrangements are by top-drawer writer Duke Pearson. Each track has something special. "And Satisfy" is a riveting, shuffle blues. Turrentine's reading of the theme and his singing then shouting, blues-drenched solo sport his typical vocal inflections. Mitchell and Green's more boplike (though still indigo-shaded) efforts provide delicious contrast. Turrentine's solo on Sam Cooke's "Shake" is another joyous holler. Ray Charles's ever-so-slow ditty, "What Could I Do Without You," has the tenorman at his emotive best, pulling the listener in with crying-like notes while Tyner gets Ray's piano style just right. Stanley also sings out on "Walk On By," and Roker's crisp cymbal and drum work help "Feeling Good" motor right along with a spark. Stanley employs the wears-well melody in his percolating improvisation, and Tyner also scores with a similar approach. The closing "Baptismal," the one strictly straight-ahead piece here, is home to crackling solos from the leader, Tyner-making the style he developed with Coltrane work superbly in a more traditional context--and the ever-galvanizing, gritty and rhythmically sure-footed Adams. A winner all around. --Zan Stewart

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars mccoy tynerがいいのです。, 2008/2/13
この印象深いジャケットの作り主は…やっぱりreid milesでした。白と朱で、turrentineのブロゥの瞬間を彫り抜いたような…シンプルながらこれ以上は考えられない程の粋なデザイン。“白熱”という一語がピッタリ。

この頃のBNに数多いduke pearsonが編曲を手がけたものの1つで、turrentineに3管が加わる。当時のヒット曲を彼らしいセンスで料理している。この盤のポイントはray charlesとsam cookeの曲をやっている点。それもmccoy tynerがピアノを弾いている!後者は嬉しいことにあの“shake”で、始まった途端からmccoyの粒立ちのいいピアノがコロコロと跳ねる。いや〜最高の瞬間です。

ソロは一部blue mitchellとpepper adams、grant greenが取るものの、ほとんどturrentineのひとり舞台。でも味わい深いgreenの伴奏、上記mccoyの粋なピアノ、cranshawのエレ・ベもうなる…と聴き所は多い。

バカラックの“walk on by”などpearsonの編曲がとくに輝く。この人にはバカラックのアレンジばかりで1枚出して欲しかったな〜(それとも実際何かあるのでしょうか?)。この2人には共通するセンスがあるんじゃないかしら。甘酸っぱくて切くて。素晴らしいです。
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