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Stefan Wolpe: Zeus und Elida; Schne Geschichten
 
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Stefan Wolpe: Zeus und Elida; Schne Geschichten [Import] [from US]

~ Romain Bischof (Baritone), Harry van der Kamp (Bass, Vocals), Stefan Wolpe (作曲), Werner Herbers (指揮), Franziska Hirzel (Vocals), et al.
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1. Zeus und Elika, Op. 5a: Charleston
2. Zeus und Elika, Op. 5a: Uberleitung
3. Zeus und Elika, Op. 5a: Tango
4. Zeus und Elika, Op. 5a: Boston
5. Zeus und Elika, Op. 5a: Rezitativ I
6. Zeus und Elika, Op. 5a: Uberleitung
7. Zeus und Elika, Op. 5a: Foxtrott (jazz-duett)
8. Zeus und Elika, Op. 5a: Rezitativ II
9. Zeus und Elika, Op. 5a: Coda
10. Zeus und Elika, Op. 5a: Konzert mit Variationen
11. Zeus und Elika, Op. 5a: Uberleitung
12. Zeus und Elika, Op. 5a: Blues (solo und duett mit chor)
13. Zeus und Elika, Op. 5a: Fortsetzung
14. Zeus und Elika, Op. 5a: Rezitativ III
15. Zeus und Elika, Op. 5a: Csardas
16. Zeus und Elika, Op. 5a: Stretta
17. Zeus und Elika, Op. 5a: Coda (potpourri)
18. Schone Geschichten, Op. 5b: Wissenschaft
19. Schone Geschichten, Op. 5b: Religion oder die Geschichte von der Begegnung mit dem lieben Gott
20. Schone Geschichten, Op. 5b: Recht oder die Geschichte vom Herrn Tannenbaum
See all 27 tracks on this disc

Product Description

From Amazon.co.uk

Better known for the prickly avant-garde works of his later American career, Stepan Wolpe had a disreputable youth in the surrealist cabarets of Weimar Berlin, a time when everyone tried at least some of the time to write like Weill, Eisler or Hollander. The two longer pieces here--a vaudeville in which the god Zeus comes to Potsdam Square and tries to pick up a particularly laid-back whore, and a series of short sketches in which everything from knowledge to love to patriotism is shown as corrupted by lazy bourgeois thinking--are more effective theatrically than musically, being more spoken than sung, with accompaniment that is typical of a time and place as much entirely memorable. These are fine pieces which deserved rediscovery; the real find here though is the anti-war "Stimmen aus dem Massengrab" which is a fine piece of anguished protest-writing, bracketed with two fine little genre pieces in which Wolpe entirely gets into the spirit of his time. --Roz Kaveney

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