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Frequently Bought Together
Customers Who Bought This Item Also Bought
~ ブルー・マン・グループ
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DVD ~ ブルー・マン・グループ
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~ ブルー・マン・グループ
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~ Blue Man Group
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DVD ~ BLUE MAN GROUP
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Product Details
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Track Listings
| 1. TV Song |
| 2. Opening Mandelbrot |
| 3. Synaesthetic |
| 4. Utne Wire Man |
| 5. Rods and Cones |
| 6. Tension |
| 7. Mandelgroove |
| 8. PVC IV |
| 9. Club Nowhere |
| 10. Drumbone |
| 11. Shadows |
| 12. Cat Video |
| 13. Klein Mandelbrot |
| 14. Endless Column |
Product Description
Amazon.co.jp
ブルーンマン・グループの作りあげた本作はデビュー盤とは信じがたいほどだ。彼らのハイテクを駆使した型破りでパーカッシブなショーは大評判を呼び、数々の賞を受賞し、1991年にオフ・ブロードウェイで上演を開始して以来ロングランを続けてきた。しかし、本作はこのショーのサウンドトラックではない。収録曲の数曲は実際にショーで聴けるが、それとは別の楽器、演奏者、それに最近発明された楽器も加わっている。
ブルーマン・グループはドラム缶の上にペンキをたらし、それを叩いてペンキを飛び散らせキャンバスに抽象的な絵を描く。さらに、意表をつくシンプルな材料から独自の楽器を作りだす。本作では、エアポールや大きなドラム缶、ポリ塩化ビニルを用いた楽器などが使われている（もちろんデヴィッド・ヴァン・ティーゲムはグループのメンバーではない）。こうした（何よりビジュアル的に目立つ）手作りの楽器であるにもかかわらず、圧倒的にリズミカルなサウンドは、さらにアクセントとしてギターを加え、80年代初期から中期のアート・ロックを思い出させる。
2分間のオープニング曲の乱打は、芸が細かく十分に楽しませてくれる。パーカッシブなサウンドがしだいに厚みを増し、そこに誰もが引用する映画音楽の巨匠エンニオ・モリコーネをかすかに彷彿させる、サウンドトラック風のギター・ラインがおおいかぶさるのだ。本作は全曲通して期待を裏切らない満足度の高いアルバムであり、誰もの興味を引くBGMを聴かせてくれる。（Mike McGonigal, Amazon.com）
From Amazon.com
It's hard to believe that this is the debut CD created by award-winning performance-art sensations the Blue Man Group, whose off-the-wall and high-tech, highly percussive show has been an off-Broadway hit since the beginning of its uninterrupted run in 1991. This CD is not a soundtrack; while some pieces appear in the show, they are presented here with extra instruments, performers, and recently developed instruments. In addition to making abstract paintings by pouring paint onto kettledrums then bashing on them until the color pours onto an awaiting canvas, the Blue Man Group make their own instruments out of unexpected, often very simple materials. Creations used to make this record include air poles, the big drum, the PVC instrument, the backpack tubulum, and the drum wall (no, David van Tieghem is not a member of the group). Those homemade instruments notwithstanding (which are most striking visually anyway), the heavily rhythmic nature of the music, combined with the guitar as a focal element, reminds one of early-to-mid-1980s art-rock. The opening salvo--a two-minute number--starts off subtle and pleasing enough, with slowly building layers of percussive sound and overlapping soundtrack-y guitar lines vaguely reminiscent of Ennio Morricone, the great soundtrack composer that everyone rips off. The entire disc will highly satisfy the faithful and serve as intriguing background music for everyone else. --Mike McGonigal
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