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Track Listings
| 1. Irresistible Bliss |
| 2. Look |
| 3. Drive Time |
| 4. In the Wee Small Hours of the Morning |
| 5. Open Touch |
| 6. Under a Painted Sky |
| 7. Why Not |
| 8. Place Between Us |
| 9. Same Girl |
| 10. Where I'm Calling From |
| 11. Letting Go |
Product Description
Amazon.co.jp
クリス・ボッティは、トランペットをオープンで吹こうともミュートで吹こうとも微妙な細部まで表現するアーティストのひとりで、最小限のフレーズで情感を呼び出すことができる。ときには、たったの一音――突然の高音、ハーフ・ヴァルヴによるくぐもった音、低音域のざらざらした音――で物語ることさえやってのけるのだ。本作では意識的に物静かなひとときを呼び起こし、メロディーと内省に満ちあふれた澄んだプールを生みだしている。微妙なムードへの心配りは「In the Wee Small Hours of the Morning」のソロを聴けばあきらかで、湧き上がるようなフレーズを吹くことで、ヴォーカルのスティングが作りだしたムードを輝かせている。
本作の全編にわたってボッティをサポートしているのは、ベーシストのトニー・レヴィン、ドラマーのピーター・アースキンといった一流のミュージシャンたち。アン・ダッドリーのアレンジと指揮によるロンドン・セッションズ・オーケストラは、4曲でぜいたくな音のじゅうたんを敷いている。ボブ・ジェームスも「The Open Touch」に個性的なエレクトリック・ピアノのフレーズを提供している。またボッティは、ランディ・ニューマンの「Same Girl」を、『Playing by Heart』で敬意を表したチェット・ベイカーを彷彿（ほうふつ）とさせる親密で物悲しいトーンを加えて奏でている。（Adam Rains, Amazon.com）
From Amazon.com
Whether his trumpet is open or muted, Chris Botti is an artist of the subtlest detail, able to draw an emotion with the briefest phrase. Sometimes even a single note--a sudden high, a muffled half valve, or a burred aside in the lower register--can be telling. On Slowing Down the World, he's consciously invoking the quiet moments, creating limpid pools of melody and reflection. That attention to the nuance of mood is apparent in his solo on "In the Wee Small Hours of the Morning," when he begins with a welling, rising phrase that illuminates the mood created by vocalist Sting. Botti is supported throughout by top-rank musicians like bassist Tony Levin and drummer Peter Erskine, and the London Sessions Orchestra, arranged and conducted by Anna Dudley, creates a plush carpet of sound on four tracks. Bob James contributes his distinctive electric piano lines to "The Open Touch," and Botti sings on Randy Newman's "Same Girl," adding an intimate and plaintive tone that might suggest Chet Baker, who Botti pays homage to on Playing by Heart. --Adam Rains
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