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Safe as Milk
 
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Safe as Milk [Import] [from US] [Original recording remastered]

~ キャプテン・ビーフハート&ザ・マジック・バンド
5.0 out of 5 stars  See all reviews (1 customer review)

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5 new from ¥ 803 7 used from ¥ 517

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Product Details

  • CD (1999/6/1)
  • Original Release Date: 1967
  • Number of Discs: 1
  • Format: Import, from US, Original recording remastered
  • Label: Sony
  • ASIN: B00000J7A2
  • Other Editions: CD  |  カセット  |  LP Record
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.jp Sales Rank: #165,021 in 音楽 (See Bestsellers in 音楽)

    Category Ranking:

    #57 in  音楽 > オルタナティヴロック > パンク・ハードコア > ルーツパンク
    #613 in  音楽 > ロック > プログレッシヴロック
    #2105 in  音楽 > ロック > 60s-70s

1. Sure 'Nuff 'N Yes I Do
2. Zig Zag Wanderer
3. Call On Me
4. Dropout Boogie
5. I'm Glad
6. Electricity
7. Yellow Brick Road
8. Abba Zaba
9. Plastic Factory
10. Where There's Woman
11. Grown So Ugly
12. Autumn's Child
13. Safe As Milk (Take 5) (Bonus Track)
14. On Tomorrow (Bonus Track)
15. Big Black Baby Shoes (Bonus Track)
16. Flower Pot (Bonus Track)
17. Dirty Blue Gene (Bonus Track)
18. Trust Us (Take 9) (Bonus Track)
19. Korn Ring Finger (Bonus Track)

Product Description

Amazon.com essential recording

"I may be hungry, but I sure ain't weird," Don Van Vliet, a.k.a. Captain Beefheart, famously intones on this bright-sounding remastered version of the 1967 debut by Captain Beefheart and His Magic Band. Safe as Milk is a bold, tough-ass distillation of Delta blues stomp and '60s garage-punk swagger, fused with a radically polyrhythmic and tempo-shifting style that one might term "art rock." Listening to the delightfully playful, absurdist "Abba Zabba," it's easy to see why Lester Bangs called Beefheart "the only true dadaist in rock"; the song is a good indication of the intricate, rule-breaking music the Magic Band would continue to hone. But there are also formidable ballads (the psychedelic "Autumn's Child," the lachrymose "I'm Glad"), midtempo pop-soul tunes (the Otis Redding-ish "Call on Me"), and straight-ahead blues-rock workouts ("Plastic Factory"), all of which showcase the fretwork of a young Ry Cooder. Much has been made of Beefheart's multiple-octave vocal range; he sings menacingly on "Dropout Boogie" and allegedly broke a very expensive microphone on the eerie "Electricity." The last seven tracks on this reissue (for the most part fascinating, unfinished instrumentals) were recorded with a different lineup; they are outtakes from Mirror Man Sessions. --Mike McGonigal


From Amazon.co.uk

"I may be hungry, but I sure ain't weird," Don Van Vliet, a.k.a. Captain Beefheart, famously intones on this bright-sounding re-mastered version of the 1967 debut by Captain Beefheart and His Magic Band. Safe as Milk is a bold, tough-ass distillation of Delta blues stomp and 1960s garage-punk swagger, fused with a radically polyrhythmic and tempo-shifting style that one might term "art rock". Listening to the delightfully playful, absurdist "Abba Zabba", it's easy to see why Lester Bangs called Beefheart "the only true dadaist in rock"; the song is a good indication of the intricate, rule-breaking music the Magic Band would continue to hone. But there are also formidable ballads (the psychedelic "Autumn's Child", the lachrymose "I'm Glad"), mid-tempo pop-soul tunes (the Otis Redding-ish "Call on Me"), and straight-ahead blues-rock workouts ("Plastic Factory"), all of which showcase the fretwork of a young Ry Cooder. Much has been made of Beefheart's multiple-octave vocal range; he sings menacingly on "Dropout Boogie" and allegedly broke a very expensive microphone on the eerie "Electricity". The last seven tracks on this reissue (for the most part fascinating, unfinished instrumentals) were recorded with a different line-up; they are outtakes from Mirror Man Sessions. --Mike McGonigal

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Safe as Milk
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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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10 of 11 people found the following review helpful:
5.0 out of 5 stars 隊長の船出, 2002/6/20
By A Customer
このレビューの引用元: Safe as Milk (CD)
 ロック史上に前人未到の巨塔を屹立させた音楽人、キャプテンビーフハートのデビュー作。後の作品に見られる高度な混沌さは見られないが、それだけに彼の核となっている音楽性が垣間見られる。基本的に、彼のスタイルはデルタブルースがもっているゆるく組織された混沌さという性質を彼独自の視点で拡大したり、縮小したり、他の性質の音楽とぶつけたりする事で成り立っているのだが、このデビュー作は混交の頻度が少ないのでブルースはブルース、バラードはバラードで楽しめる。"Zigzag rambler"ではなぜかドアーズを思い出してしまう。音楽に自由さを求める人にはお薦め。
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