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Berg: Lulu
 
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Berg: Lulu [Box set] [Import] [from US]

~ Julia Migenes
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Disc: 1
1. LULU: Prologue: 'Hereinspaziert in die Menagerie'
2. LULU: Act One - Scene 1: 'Darf ich eintrete?' (Alwa, Dr. Schon, Lulu)
3. LULU: Act One - Scene 1: 'Gnadige Frau... Frau Madizinalrat...' (Lulu)
4. LULU: Act One - Scene 1: 'Machen Sie auf!' (Lulu)
5. LULU: Act One - Scene 1: 'Nicht wieder zur Besinnung gekomen?' (Lulu)
6. LULU: Act One - Scene 1: 'Ich mochte tauschen mit dir, du Toter!'
See all 17 tracks on this disc
Disc: 2
1. LULU: Act Two - Scene 1: 'Sie glauben nicht, wie ich mich darauf freue' (Lulu, Dr. Schon)
2. LULU: Act Two - Scene 1: Konntest du dich fur heute nachmittag nicht freimachen?' (Lulu, Dr. Schon)
3. LULU: Act Two - Scene 1: 'Gott sei dank, dass wir endlich zuhause sind' (Schigolch, Lulu)
4. LULU: Act Two - Scene 1: 'Die Matinee wird, wie ich mir denke...' (Lulu, Dr. Schon, Alwa)
5. LULU: Act Two - Scene 1: 'Wo ist denn der hin?' (Lulu, Dr. Schon, Grafin Geschwitz)
6. LULU: Act Two - Scene 1: 'Wenn sich die Menschen um meinetwillen...' (Lulu, Dr. Schon, Alwa, Grafin Geschwitz)
See all 12 tracks on this disc
Disc: 3
1. LULU: Act Three - Scene 1: 'Meine Herren und Damen'
2. LULU: Act Three - Scene 1: 'Sag es nur gleich heraus' (Lulu)
3. LULU: Act Three - Scene 1: 'Brillant, es geht brillant' (Alwa)
4. LULU: Act Three - Scene 1: 'Aber warum verfolgst du denn die Geschwitz' (Lulu)
5. LULU: Act Three - Scene 1: 'Ich brauche namlich notwendig Geld' (Schigold, Lulu)
6. LULU: Act Three - Scene 1: 'Mein liebes Herz' (Grafin Geschwitz, Lulu)
See all 12 tracks on this disc

Product Description

From Amazon.com

Lorin Maazel's tenure at the Wiener Staatsoper lasted a mere two seasons in the early 1980s. And his penchant for performing 20th-century works while in Vienna was decidedly unpopular. But as this reading of Berg's great, famously unfinished Lulu signals, Maazel did fabulous work, dramatically and sonically. The fact that this Lulu was recorded live costs the overall program in certain spots--especially where accidental contact was made with a microphone, creating slight recorded bumps. More remarkable is the great level of contrast Maazel and the instrumentalists maintained even during the greatest twists in the 12-note row that Berg hyperexamines throughout the score. Not only do the strings tell late-Romantic tales that seem ever askew, but the vibraphone rings with nervous clarity, and the saxophones emit strange wafts as Julia Migenes mirrors Lulu's descent with palpable tension in her artful vocal frayings. Not since Pierre Boulez's Lulu on Deutsche Grammophon has this work rung so hair-raisingly. --Andrew Bartlett

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