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The Book of the Seven Seals
 
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The Book of the Seven Seals [Import] [from US]

~ Alfred Reiter (Bass), Ren Pape (Bass), Franz Schmidt (作曲), Franz Welser-Mst (指揮), Bavarian Radio Symphony Orchestra (オーケストラ), et al.
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Disc: 1
1. Book Of The Seven Seals: Gnade sei mit euch
2. Book Of The Seven Seals: Ich bin das A und das O
3. Book Of The Seven Seals: Und eine Tur ward aufgetan im Himmel
4. Book Of The Seven Seals: Heilig, heilig ist Gott der Allmdchtige
5. Book Of The Seven Seals: Und ich sah in der rechten Hand
6. Book Of The Seven Seals: Nun sah ich, und siehe, mitten vor dem Throne
7. Book Of The Seven Seals: Organ Solo
8. Book Of The Seven Seals: Und als das Lamm der Siegel erstes auftrat
9. Book Of The Seven Seals: Und als das Lamm der Siegel zweites auftrat
10. Book Of The Seven Seals: Und als das Lamm der Siegel drittes auftrat
See all 14 tracks on this disc
Disc: 2
1. Book Of The Seven Seals: Organ solo; Nach dem Auftun des siebenten der Seigel
2. Book Of The Seven Seals: Ein Weib, umkleidet mit der Sonne
3. Book Of The Seven Seals: Und sie gebar einen Sohn
4. Book Of The Seven Seals: Im Himmel aber erhob sich ein grober Streit
5. Book Of The Seven Seals: Und als die groe Stille im Himmel vorber war
6. Book Of The Seven Seals: Vor dem Angesichte dessen, der auf weibem Throne sab
7. Book Of The Seven Seals: Ich bin das A und das O
8. Book Of The Seven Seals: Hallelujah!
9. Book Of The Seven Seals: Wir danken die, o Herr, allmchtiger Gott
10. Book Of The Seven Seals: Ich bin es, Johannes, der all dies hrte

Product Description

From Amazon.com

Franz Schmidt's magnum opus oratorio adapting the last book of the New Testament, the Revelations of St. John (and apocalyptic revelations they were), has been an imposing mystery to American music lovers. Rarely is it encountered in concert, and recordings have featured intriguing collections of musicians (tenor Fritz Wunderlich in one, conductor Dmitri Mitropoulos in another), though often in less-than-great sound and without English texts. This is the first recording that could unlock the seals for non-Germanic listeners: it has all the surface polish this music craves, while conductor Franz Welser-Most loves the music and knows it well. As dictated by the composer, St. John is sung by a vigorous heldentenor, Stig Andersen. Rene Pape is the voice of the Lord--and sounds like it. But with so much help from performers, the piece is likely to remain a cult item. Its dense, wordy text floats like corks on the chromatic salt sea of Schmidt's orchestration, guided by a committed, unsentimental sense of dramaturgy but not much sense of melody. --David Patrick Stearns

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