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Italian Opera Arias
 
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Italian Opera Arias [Import] [from US]

~ Renata Scotto
4.0 out of 5 stars  See all reviews (1 customer review)

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2 new from ￥ 3,360 4 used from ￥ 2,211

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Product Details
1. Le Villi: Non ti scordar di me
2. Manon Lescaut: In quelle trine morbide
3. Manon Lescaut: Sola, perduta, abbandonata
4. La Boheme: Quando m'en vo' soletta
5. Suor Angelica: Senza mamma, o bimbo, tu sei morto
6. Gianni Schicchi: O mio babbino caro
7. La Wally: Ebben? Ne andro' lontana
8. Adriana Lecouvreur: lo son l'umile ancella del genio creator
9. Adriana Lecouvreur: Poveri fiori
10. La rondine: Ch'il bel sogno di Doretta
11. Lodoletta: Flammen perdonami
12. Iris: Un di (ero piccina) al tempio
13. EDGAR: Addio, addio, mio dolce amor!
14. Madama Butterfly: Un bel di, vedremo
15. Madama Butterfly: Tu, tu, piccolo iddio!
16. Il Segreta di Susanni: Respiro, e andanto...O gioia la nube leggera
17. Il Segreta di Susanna: Ti colgo questa volta! (Duet)
18. Adriana Lecouvreur: E sia! Non risponde (Duet)

Product Description

From Amazon.com

The bulk of this wonderful CD was recorded in l974, before the top of Scotto's voice--always a bit acidic--had turned positively treacherous. Selections from six Puccini operas, Catalani's La Wally, and Mascagni's Lodoletta and Iris find her not only in good voice, but with her usual searing insights. Never one to shirk an emotion, Scotto makes us feel for Suor Angelica and Wally in a very special way, and the other characterizations are hardly less interesting. Arias and duets from later takes--one from Carnegie Hall in '77 and others from commercial recordings up to l978--still offer good vocalism and fascinating viewpoints--Scotto's high notes may occasionally make us cringe, but she's never uninvolved or uninvolving. This is a fine intro to this complicated soprano and a must for her fans. --Robert Levine.

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4.0 out of 5 stars (1 customer review)
 
 
 
 
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4 of 5 people found the following review helpful:
4.0 out of 5 stars 素晴らしいソプラノ, 2004/3/11
　スコットの絶頂期の記録。74年のガヴァッツェーニとの録音を中心に全曲盤からの抜粋とで構成されている。曲目も興味深い。ヴェルディのアリアは1曲も無く、プッチーニを中心としてチレアやカタラーニなどのアリアが選ばれている。ここでのスコットの歌唱は充実した声とテクニックを駆使して、とても考えぬかれた内容の濃い歌になっている。マノン・レスコーやアンジェリカでの悲しみや切なさは涙をさそうほどだ。
フレーニやデヴィーアなどのように天国的な美声で聴かすのではなく、若干最高に美しいとは言えない声も聞こえることがあるが、曲全体から感じるモノが素晴らしく、心に響いてくる。
他のスコットのCDでも書かせてもらったが、もっとこのソプラノが高い評価を受けることを切に願う。
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