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Product Details
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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Ich hatte viel Bekmmernis, BWV 21: Sinfonia | |||
| 2. Ich hatte viel Bekmmernis, BWV 21: Coro: Ich hatte viel Bekmmernis | |||
| 3. Ich hatte viel Bekmmernis, BWV 21: Aria: Seufzer, Trnen, Kummer, Not | |||
| 4. Ich hatte viel Bekmmernis, BWV 21: Recitativo: Wie hast du dich, mein Gott | |||
| 5. Ich hatte viel Bekmmernis, BWV 21: Aria: Bche von gesalznen Zhren | |||
| 6. Ich hatte viel Bekmmernis, BWV 21: Coro: Was betrbst du dich, meine Seele | |||
See all 17 tracks on this disc
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| Disc: 2 | |||
| 1. Gottes Zeit ist die allerbeste Zeit, BWV 106: Sonatina | |||
| 2. Gottes Zeit ist die allerbeste Zeit, BWV 106: Coro: Gottes Zeit ist die allerbeste Zeit - Ach herr, lehre uns bedenken - Bestelle dein haus ; denn du wirst sterbren | |||
| 3. Gottes Zeit ist die allerbeste Zeit, BWV 106: Aria: In deine Hnde befehl ich meinen Geist | |||
| 4. Gottes Zeit ist die allerbeste Zeit, BWV 106: Coro: Glorie, Lob, Ehr und Herrlichkeit | |||
| 5. Der Herr denket an uns, BWV 106: Sinfonia | |||
| 6. Der Herr denket an uns, BWV 106: Coro: Der Herr denket an uns | |||
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See all 23 tracks on this disc
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| Disc: 3 | |||
| 1. Der Himmerl lacht! die Erde jubilieret, BWV 31: Sonata | |||
| 2. Der Himmerl lacht! die Erde jubilieret, BWV 31: Coro: Der Himmel lacht! die Erde jubilieret | |||
| 3. Der Himmerl lacht! die Erde jubilieret, BWV 31: Recitativo: Erwnschter Tag! sei, Seele, wieder froh | |||
| 4. Der Himmerl lacht! die Erde jubilieret, BWV 31: Aria: Frst des Lebens, starker Streiter | |||
| 5. Der Himmerl lacht! die Erde jubilieret, BWV 31: Recitativo: So stehe dann, du gottergebne Seele | |||
| 6. Der Himmerl lacht! die Erde jubilieret, BWV 31: Aria: Adam muss in uns verwesen | |||
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See all 27 tracks on this disc
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Product Description
From Amazon.com
Bach's 200 existing cantatas (100 more have been lost) represent one of music history's most remarkable achievements. The first volume in Erato's ambitious but much-needed traversal of the complete canon contains nine cantatas from Bach's early career. Except for "Christ lag in Todesbanden," these are lesser-known works, yet that doesn't mean they are of lesser quality. Here are some of Bach's most compelling choruses, accompanied by colorful and ingenious instrumental writing. Highlights abound, including the appendices that reproduce Bach's revised versions of cantatas 4 and 21. The choral singing is excellent: sensitive and agile, with unforced tone. Of course, there's Barbara Schlick's fluttery vibrato and occasional shrillness and tenor Guy de Mey's emphasis on "prettiness" over textual understanding. But from the very beginning of BWV 21 we hear confident, well-prepared music-making that carries throughout the recording. Perhaps most importantly--and largely due to Koopman's even-handed, purposeful direction--everything, including the sonic ambience, feels and sounds in proportion: a feature that bodes well for the whole series and makes this an excellent reference set. --David Vernier
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