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Product Details
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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Prludes Book I: I. Danseuses de Delphes (Lent et grave) | |||
| 2. Prludes Book I: II. Voiles (Modr) | |||
| 3. Prludes Book I: III. Le vent dans Ia plaine (Anim) | |||
| 4. Prludes Book I: IV. Les sons et les parfums tournent dans l'air du soir (Modr) | |||
| 5. Prludes Book I: V. Les collines d'Anacapri (Trs modr) | |||
See all 24 tracks on this disc
| |||
| Disc: 2 | |||
| 1. Pour le piano: I. Prlude (Assez anime et tres rythme) | |||
| 2. Pour le piano: II. Sarabande (Aved une elegance grave et lente) | |||
| 3. Pour le piano: III. Toccata (Vif) | |||
| 4. Estampes: I. Pagodes (Moderement anime) | |||
| 5. Estampes: II. La soire dans Grenade (Mouvement de Habanera) | |||
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See all 18 tracks on this disc
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| Disc: 3 | |||
| 1. 12 Etudes: I. Pour les cinq doigts (d'apres Monsieur Czerny) (Sagement) | |||
| 2. 12 Etudes: II. Pour les tierces (Moderato, ma non troppo) | |||
| 3. 12 Etudes: III. Pour les quartes (Andantino com moto) | |||
| 4. 12 Etudes: IV. Pour les sixtes (Lento) | |||
| 5. 12 Etudes: V. Pour les octaves (Joyeaux et emporte, librement rythme) | |||
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See all 19 tracks on this disc
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| Disc: 4 | |||
| 1. Suite Bergamasque: I. Prlude (Moderato - tempo rubato) | |||
| 2. Suite Bergamasque: II. Meneut (Andantino) | |||
| 3. Suite Bergamasque: III. Clair de lune (Andante tres expressif) | |||
| 4. Suite Bergamasque: IV. Passepied (Allegretto ma non troppo) | |||
| 5. Danse bohmienne (Allegro) | |||
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See all 16 tracks on this disc
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Product Description
Amazon.com essential recording
These classic performances belong in the collection of anyone who cares about Debussy's piano music. Walter Gieseking's career was a troubled one--his pandering to the Nazi party cast a shadow over his last years, but the greatest irony of all was that this German nationalist turned out to be the greatest exponent of French music of his era. His Debussy playing marries an effortlessly subtle control of the keyboard to a real sense of fantasy. The music truly shimmers in his hands, and despite the limited range of the mono recording, the ear quickly adjusts. This is, in short, one of those classic recordings that critics and music lovers have enjoyed for nearly 50 years. So should you. --David Hurwitz
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