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| Disc: 1 | |||
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| 1. What Good Can Drinkin' Do [Live][#] | |||
| 2. Trouble in Mind [#] | |||
| 3. Hesitation Blues [#] | |||
| 4. Easy Rider | |||
| 5. Coo Coo | |||
| 6. Down on Me | |||
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| Disc: 2 | |||
| 1. Combination of the Two | |||
| 2. I Need a Man to Love | |||
| 3. Piece of My Heart | |||
| 4. Turtle Blues | |||
| 5. Oh, Sweet Mary | |||
| 6. Catch Me Daddy [#] | |||
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| Disc: 3 | |||
| 1. Me and Bobby McGee [Alternate Version][#] | |||
| 2. Me and Bobby McGee [#][Version] | |||
| 3. Tell Mama [Live] | |||
| 4. Try (Just a Little Bit Harder) [Live] | |||
| 5. Cry Baby [#] | |||
| 6. Move Over | |||
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The 48-page booklet features nude photos of Joplin on the outside and feminist essays about her on the inside. Ellen Willis compares Joplin's self-created image to Madonna's, ignoring the crucial fact that Joplin was a brilliant singer while Madonna is hardly any kind of singer at all. Ann Powers addresses the music itself and correctly points out that Joplin's art was not merely unmediated emotion but a premeditated mix of gambles and craft, of Bessie Smith's open-throated wails and Otis Redding's gruff shouts. She was some kind of singer, and that's what she should be remembered for. --Geoffrey Himes
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