Amazon.co.jp
‰‰‰‚©‚ç10”N‚ðŒo‚ÄAƒAƒ“ƒhƒŠƒ…[EƒƒCƒhEƒEƒFƒo[–|ˆÄ‚ÌuƒIƒyƒ‰À‚̉ölv‚ɂ‚¢‚ÄA‚¢‚Ü‚³‚ç‚ȂɂªŒ¾‚¦‚邾‚낤B‚¢‚½‚邯‚±‚ë‚ÅŒ©•·‚«‚·‚é‚̂ŕ ‚ª—§‚ÂA‚ƂłàH ƒCƒ^ƒŠƒAEƒIƒyƒ‰‚̃Œƒp[ƒgƒŠ[‚©‚ç‚©‚·‚ߎæ‚Á‚½‚³‚Ü‚´‚܂ȃe[ƒ}‚ðˆê‚‚ɖD‚¢‡‚킹‚½‚à‚Ì‚¾A‚ƂłàH ‚ ‚é‚¢‚ÍA‚½‚Ô‚ñ‚±‚ê‚ð“Ç‚ñ‚Å‚¢‚é‚¢‚܂łࢊE‚̂ǂ±‚©‚µ‚ç‚Å•‘‘ä‚ÉŠ|‚©‚Á‚Ä‚¢‚é‚Å‚ ‚낤A”á•]‰Æ‚¨–n•t‚«‚Ì‘åOŒâŠy‚¾A‚ƂłàH ƒ|ƒbƒvEƒJƒ‹ƒ`ƒƒ[‚Ì–œ_“a‚Åuƒ^ƒCƒ^ƒjƒbƒNv‚ðæ‚è‰z‚¦‚»‚¤‚ȃƒKƒqƒbƒg‚ð”ò‚΂µ‚½u‰ölv‚ÍAƒ‚ƒ_ƒ“Eƒ~ƒ…[ƒWƒJƒ‹‚ª‚¢‚©‚É\‘z‚³‚êA•‘‘ä‚ɂ̂¹‚ç‚êAŽsê‚É‘—‚èo‚³‚ê‚é‚©A‚»‚Ì‚â‚è•û‚ð\\—Ç‚‚àˆ«‚‚à\\‘å•‚É’è‹`‚µ’¼‚·‚±‚ƂɂȂÁ‚½B‚»‚̉e‹¿‚̓ƒ“ƒhƒ“‚âƒuƒ[ƒhƒEƒFƒC‚Æ‚¢‚Á‚½“`“‚ÌꊂɂƂǂ܂炸A‚͂邩‰“‚‚܂ŋy‚ñ‚¾BD—á‚ð‚ ‚°‚邯AƒƒTƒ“ƒ[ƒ‹ƒX‚ÌÅ’·‚ƂȂÁ‚½ƒƒ“ƒOƒ‰ƒ“‚̌Ăѕ¨‚¾‚Á‚½’Zk”ł͕ž‘•“|öŽÒƒŒƒrƒ…[‚ÅA14ƒCƒ“ƒ`‚̃Vƒƒƒ“ƒfƒŠƒA‚ª‚¢‚Á‚Ï‚¢Žg‚í‚êAŽålŒö–ð‚Íu’j‚ð‰‰‚¶‚é—‚ð‰‰‚¶‚é’jv‚¾‚Á‚½B(Jerry McCulley, Amazon.co.uk)
Amazon.com essential recording
What's left to be said about Andrew Lloyd Webber's adaptation of
The Phantom of the Opera a decade after its premiere? That it's maddeningly ubiquitous? A stitch-up of various themes shoplifted from the Italian operatic repertoire? A critic-proof crowd pleaser that's probably being staged somewhere in the world as you read this? A megahit that will likely outlive
Titanic in the pop-culture pantheon,
Phantom has largely redefined--for better or worse--the manner in which modern musicals are conceived, staged, and marketed. Its influence has reached far beyond the traditional confines of London and Broadway. A favorite example: an abridged version that was the centerpiece of Los Angeles's longest-running transvestite revue, replete with 14-inch chandeliers and a man-playing-a-woman-playing-a-man in the title role.
--Jerry McCulley