In August 1917 Yeats had visited Maud and Iseult Gonne in Normandy where he renewed his suit for Iseult's hand. She was moody, sickly from over-indulgence in cigarettes, flirtatiously affectionate but no more inclined to marry Yeats than she had been the previous summer. Her mother he found surrounded by the usual menagerie which included a laughing parrot whose forte was peals of hysterical laughter.Still, Brown is strongest on the poetry itself, which he methodically mines for fresh insights. And he's refreshingly open to scolding his subject when he falls short of his own gargantuan talents (even Responsibilities, which most Yeatsians consider a breakthrough into the poet's major, post-Celtic Twilight phase, gets some flack from Brown: "The several poems in which Yeats celebrates Irish beggary as a metaphor of the spiritual freedom the Irish materially minded moneyed class so signally lacks, are without purchase on much beyond the literary salon's version of mendicancy"). There are times, to be sure, when the author's prose bogs down a bit, and he's hardly aided by the publisher's eyeball-punishing type size. Yet Brown's Life of W.B. Yeats remains an enlightening account of how one Irish poet in particular did learn his trade--to a degree that most of his fellows are still struggling to match. --Ingrid Broun
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