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In the flood tides off Mont St. Michel, revered Resistance-hero Guillaume du Rocher is drowned. Already assembled at the Rocher estate to deal with family business, members of the Rocher clan instead read his will. The next day a partial skeleton is found in the cellar and Gideon Oliver, a physical anthropologist, is called to examine the bones. They are those of a young man who died 50 years prior and Gideon believes the deceased was tied to the Resistance movement. When Gideon is threatened, and Claude, Rocher's principal heir, is poisoned, Gideon begins to unravel a web of espionage, family deceit and murder, whose dramatic resolution lies in the secret held by the old bones. This taut thriller won the 1988 Edgar Award for best mystery novel.
--This text refers to an out of print or unavailable edition of this title.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
When revered Resistance-hero Guillaume du Rocher drowns in a rushing flood tide off Mont St. Michel, members of the familysummoned by Guillaume on undisclosed urgent businessare already assembled at the domaine du Rocher, where, instead, they hear his will. The next day in the basement, a partial skeleton is uncovered, and Gideon Oliver, American physical anthropologist known as the "Skeleton Detective," is called from his lectures at an international forensics conference to examine the bones. Gideon confirms the remains, determines that they are those of a young man dead almost 50 years, suggesting a connection to local Resistance actions, including one in which Guillaume's brother Alain was executed after Claude Fougeray, a du Rocher cousin and now Guillaume's principal heir, collaborated with the enemy. While Gideon gleans more and more information from the skeleton, Claude is poisoned and Gideon himself is threatened. An intricate plotmore substantial than it promises initiallyis weighed down by a school of weak red herrings, by too much multisyllabic information about bone structure and by characters more caricatured than lifelike. Elkins (The Dark Place and Fellowship of Fear), is better on the muck and sand below the abbey where the action, especially a thrilling final scene, gallops along as fast and compelling as the tide itself.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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So still and silent was the fog-wreathed form that it might have been an angular, black boulder. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
So still and silent was the fog-wreathed form that it might have been an angular, black boulder. Read the first page
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