内容説明
This is not only the first life-and-works on Musorgsky in English for over half a century but also the largest such study of the composer ever to have appeared outside Russia. Mussorgsky was one of the towering figures of nineteenth century Russian music - but also one of the most tragic. Largely an amateur with no systematic training in composition, he nevertheless emerged in his first opera, Boris Godunov, as a supreme musical dramatist, presenting here (and in certain of his piano pieces in Pictures at an Exhibition) some of the most startlingly original of all song composers, with a prodigious gift for uncovering the emotional content of a text. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, before his premature death from alcohol poisoning is one of music's greatest tragedies.
From Publishers Weekly
Brown, author of the standard biography of Tchaikovsky and professor emeritus of musicology at the University of Southampton, brings his many years of Russian music writing to this biography of Russian composer Musorgsky. Most famous for his opera Boris Godunov and his orchestral piece St. John's Night on the Bare Mountain (made popular as the climax of Disney's Fantasia), Musorgsky was a member of a group of nationalist composers often called "the Mighty Handful," whose members included Tchaikovsky. Brown devotes major chapters of his book to the composition and music of Musorgsky's operas, such as the various versions of Boris as well as the unfinished Khovanshchina and Sorochintsky Fair, which were worked on by other composers after his death. Brown's deep interest lies in the music rather than the man, for he pays little interest to Musorgsky's medical problems, especially the "dementia" and depressions of his early years, which Brown considers to be the results of the composer's alcoholism, a disease that killed him at the age of 42. And while Brown does not have the rhetorical panache of Richard Taruskin (Musorgsky), he refrains from musicological jargon or overly technical musical analyses, bringing together a solid biography of the composer. 3 line illustrations and 18 halftones not seen by PW.
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