|
||||||||||||||||||
|
||||||||||||||||||
|
||||||||||||||||||
商品の説明
内容説明
In this luminous and authoritative new collection, Jane Hirshfield presents an ever-deepening and altering comprehension of human existence in poems utterly unique, as William Matthews once wrote of her work, in their "praise of ceaseless mutability as life's central splendor."
In poems complex in meaning yet clear in statement and depiction, Hirshfield explores questions of identity, aging, death, and of time and the variegated gifts brought by its relentless passage. Whether meditating upon a button, the role of habit in our lives, or the elusive nature of our relationship to sleep, Hirshfield brings each subject into a surprising and magnified existence.
From Publishers Weekly
Celebrated as an anthologist (Women in Praise of the Sacred, etc.), Hirshfeld seeks wisdom in the introspective occasions everyday life provides for this fifth collection. As in The October Palace, Hirshfeld's stripped-down diction and hushed sentences attend to her speaker's psychic losses and transformations: "For a year I watched/ as something--terror? happiness? grief?--/ entered and then left my body." "Dream Notebook" wrests a new-seeming subject from an old lyric quarry--not our dreams, but the way we forget them--while other poems consider household objects ("Pillow," "Ladder") in novel ways. Hirshfeld, who has also published a prose work on religion and poetry, uses Buddhism to inform a number of moving, straightforward lyrics and verse-essays (on "Clocks," "Ink," and "Sleep"). Elsewhere poems appeal to autobiography ("I, a woman of forty-five, beginning to gray at the temples") or take up, along with the speaker's overt self-consciousness, the powers and limits of poetry: "Does a poem enlarge the world,/ or only our idea of the world?"; "Why is it so difficult to speak simply?" A few such questions can go a long way, and Hirshfeld relies on their diffuse power too often: this long book of short poems might have been better shorter. A more serious flaw is Hirshfeld's dependence on Louise Glck's characteristic modes: the chilly, interior inquiries and flat declarations will seem very, very familiar to the latter's readers. Yet if Hirshfeld rarely surpasses her model, she uses it well: always accessible and on occasion profound, her new work will likely add to her large circle of admirers.
Copyright 2001 Cahners Business Information, Inc.
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
登録情報
カタログ情報を更新するまたはイメージに対するお問い合わせ
|
この商品にタグをつける(詳細)タグは、商品との関連性が非常に強いキーワードまたはラベルのようなものです。
タグにより、すべてのお客様がお気に入りの商品の整理と確認を行うことができます。 ※タグは初期設定で公開になっています。詳しくはこちら |
カスタマーレビュー
|
まだカスタマーレビューはありません。
|
|||
|
ビデオレビュー
|
|
関連商品を探す
同じキーワードの商品を探す
フィードバック
- カタログ情報を更新するまたはイメージに対するお問い合わせ
- 著者からのコメント
- 出版社からのコメント
チェックした商品の履歴
(詳細はこちら)|
製品詳細ページやサーチ結果を表示した後、興味のあるページに戻る簡単な方法についてはここを参照してください。 |
