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Vaughan Williams (英語) ハードカバー – 2001/4/1

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Unlike the fathers of the nineteenth-century English musical renaissance, who slavishly paid homage to the German masters, composers Ralph Vaughan Williams (1872-1958) and his friend Gustav Holst threw off the shackles of the Teutonic school and drew their inspiration from the neglected tradition of folk-song. The result was the creation of a distinctly English musical voice that evoked the cultural heritage of a nation. In particular, the sheer beauty, vitality, and aesthetic force of Vaughan Williams' works, which include The Lark Ascending, Greensleeves, the Tallis Fantasia, and nine symphonies, connected listeners to a timeless past and gave them a common national spirit, especially during turbulent, war-torn times. Here, Simon Heffer charts the course of Williams' remarkable life and career. Heffer traces Williams' privileged upbringing, his years of painstaking studies with Hubert Parry, Max Bruch, and Maurice Ravel, his promotion of folk-song and editorship of the English Hymnal, his close association with Holst and George Butterworth, and his emergence as the leader of English musical life. Williams was a genius of musical invention who is still beloved and admired in Britain and around the world.


Simon Heffer is a political columnist for the Daily Mail. He is the author of Moral Desperado: A Life of Thomas Carlyle; Power and Place: The Political Consequences of King Edward VII; Like the Roman: The Life of Enoch Powell; and Nor Shall My Sword: The Reinvention of England. He lives in Chelmsford, England.


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15 人中、15人の方が、「このレビューが参考になった」と投票しています。
true to oneself 2005/4/13
投稿者 LuelCanyon - (
形式: ハードカバー
In one of his last utterances, shortly before his death, Vaughan Williams said: "Modernism and conservatism are irrelevant. What matters it to be true to oneself." Simon Heffer's accomplished 150page biography of Vaughan Williams ably proves the verity of the great composer's personal creed with distinctive prose that luckily also includes a skilled overview (and some cherished details) of his musical works.

Heffer secures the essential threads between VW's family (his father, at his son's birth, was the Vicar of Down Ampney and his mother was a Wedgewood, and neice of Charles Darwin) and his lifelong output of quintessentially English music. The author wisely allows this bucolic picture of gentle privilege to continuously and subtly inform the dialogue of Vaughan Williams' life and work, gradually creating a full look on firm ground of a thoroughly cosmopolitan composer.

The discussions of VW's compositions are exceptionally competent and always evocative. Heffer' reach is impressive - from VW's undramatic beginnings as a composer, his constant affection for and lavish attention to the English hymn tune, his musical study with Ravel and its effect on his work, through to the daring influence of blues and jazz found in his symphonies, notably the use of vibraphones that inform the beguiling Eighth.

This book is a great deal like VW's music itself - profound and gentle, inspiring and intimate. Recommended over other more lengthy biographies of VW, length not always equalling depth of treatment in these matters. In this important little book, the two aspects combine in perfect conformity to the living testament that is VW's music itself. This book is a full, revealing look at a composer who spent his creative life conjuring manifold beauty and nurturing his unique gifts with the uncommon genius of steady, humane purpose. The appendix of select discography with incisive commentary is also useful especially for those not that familiar with VW's music.
4 人中、3人の方が、「このレビューが参考になった」と投票しています。
Nothing that you can't find anywhere else. 2010/5/6
投稿者 Steve Schwartz - (
形式: ハードカバー
If you've already read Michael Kennedy's Life and Works of Ralph Vaughan Williams or Ursula Vaughan Williams's R.V.W., you can skip this. It is little more than an expanded encyclopedia entry and the stuff that isn't is problematic. Heffer's an enthusiastic amateur, with either little or no musical training. That may even count as an advantage in a work for the general reader. However, it gets him in trouble when he renders critical judgments, which tend to sound like he's gotten them from others' reviews. He certainly doesn't build much of a case in support. An ordinary book about an extraordinary composer.
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