Amazon Kindleでは、 Understanding Music: Philosophy and Interpretation をはじめとする200万冊以上の本をご利用いただけます。 詳細はこちら

Would you like to see this page in English? Click here.


または
1-Clickで注文する場合は、サインインをしてください。
こちらからもご購入いただけます
この商品をお持ちですか? マーケットプレイスに出品する
Understanding Music: Philosophy and Interpretation
 
 
1分以内にKindleで Understanding Music: Philosophy and Interpretation をお読みいただけます。

Kindle をお持ちでない場合、こちらから購入いただけます。 Kindle 無料アプリのダウンロードはこちら

Understanding Music: Philosophy and Interpretation [ハードカバー]

Roger Scruton

参考価格: ¥ 3,334
価格: ¥ 3,138 通常配送無料 詳細
OFF: ¥ 196 (6%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
通常3~5週間以内に発送します。 在庫状況について
この商品は、Amazon.co.jp が販売、発送します。 ギフトラッピングを利用できます。

フォーマット

Amazon 価格 新品 中古品
Kindle版 ¥ 1,686  
ハードカバー ¥ 3,138  

会員なら、この商品は10%Amazonポイント還元(Amazonマーケットプレイスでのご注文は対象外)。
無料体験でもれなく1000ポイント キャンペーン実施中。

キャンペーンおよび追加情報


商品の説明

内容紹介

Following his celebrated book "The Aesthetics of Music", Scruton explores the fundamental elements that constitute a great piece of music.Roger Scruton is one of the most notable British philosophers of the post-war years. Like many, Bernard Williams and Brian Magee among them, he is passionately interested in music. Indeed he has written two operas.This new book applies the theory to the practice and examines a number of composers and musical forms - from Scruton's fascination with Wagner to Boulez and Hoagy Carmichael. The book ends with a devastating chapter on pop music that will be greatly relished by many, while enraging others. The consistent and passionate argument underlying the book is one for tonality and rhythm.

レビュー

'Roger Scruton presents a depth of knowledge and understanding that could make listening to a symphony all the more meaningful ... worthwhile for those who would like a deeper relationship with classical music.' - Good Book Guide

登録情報


この本のなか見!検索より (詳細はこちら
この本のサンプルページを閲覧する
おもて表紙 | 著作権 | 目次 | 抜粋 | 索引
この本の中身を閲覧する:

カスタマーレビュー

Amazon.co.jp にはまだカスタマーレビューはありません
星5つ
星4つ
星3つ
星2つ
星1つ
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com: 5つ星のうち 3.7  3 件のカスタマーレビュー
3 人中、3人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 5.0 The mystery of music revealed 2013/1/9
By J. Tomaszek - (Amazon.com)
形式:ハードカバー|Amazonで購入
I have often been frustrated by not being able to articulate just what music is. Words fail me with such an emotional topic. It was nice to know that it is not simple to define or explain and deals with both philosophical concepts and personal taste and interpretations. This book is an excellent, deeply thought out analysis of our universal love and need of music.
12 人中、9人の方が、「このレビューが参考になった」と投票しています。
5つ星のうち 3.0 Good and Bad 2012/8/24
By California Bill - (Amazon.com)
形式:Kindle版|Amazonで購入
Philosophers of music go to great lengths in attempting to explain music philosophically. This says something about the great depths of music. I suspect that the complexity of these books comes about because the philosophy of music is really a philosophy of the mind, and not a philosophy of notes. Music taps into all areas of the mind, down to the most basic areas, dealing with the physical world.

In this book, Roger Scruton is not shy about using the full force of technical terminology about both music and philosophy. He moves quickly from idea to idea and nimbly covers his subjects.

Scruton emphasizes the wholistic nature of music. Music is at once technical and emotional. Form and content are inseparable. The composition itself and the performance itself work together.

The book is divided into two parts. Part I is called "Aesthetics." Part II is called "Criticism." I found part I to be quite interesting and often convincing. Part II did not hold my attention. Part II is full of superlatives and gushing praise and harsh condemnations.

I have to admit I liked the final chapter, an extended criticism of Adorno. I have always found Adorno's writing on music to be bizarre at best.
5つ星のうち 3.0 Just keep in mind that Scruton is first and foremost a philosopher, with a knowledge mainly of classical music... 2014/8/15
By Paul W. - (Amazon.com)
形式:ハードカバー|Amazonで購入
I got in a little over my head on this one, as I should have expected. Roger Scruton has a deep knowledge of SOME forms of music, and when he is talking about things that he knows, like Beethoven's Ninth Symphony or Wagner's Ring Cycle, he has much to say, and probably, much that is valuable. I say "probably" only because I, having no real musical training, and no real philosophical training, am not in a position to judge.
I have, however, read a bit of Adorno, and listened to a fair bit of jazz. So it was somewhat interesting, but mainly disappointing, to read Scruton's glancing treatment of Adorno's attitudes towards jazz. Scruton seems to have a high opinion of some forms of jazz -- he mentions the soulfulness of Monk's "Round Midnight," but he sort of stops there. And he seems to share at times, Adorno's dismissal of a good bit of jazz, but with reservations, because he notes that Adorno relegates a lot of popular music to the scrap heap, only to say, paradoxically, that it doesn't represent the "music of the people." Now, I am not sure I have gotten Scruton's position on Adorno down to a "T", but I don't think I'm far off.
I listen to jazz and rock more than classical, and this is really a book for classical listeners, in my opinion. As I've said, Scruton sometimes mentions artists such as Thelonious Monk, and Genesis, and some other rock groups. And he doesn't fail to mention the contributions of African rhythms and polyrhythms to the development of American musics. But he doesn't go deeply into how African rhythms work or have their effects. He doesn't talk at all about Brazilian music, which I would have liked. And generally, as I have said, his analyses of Mozart and Wagner, etc...are beyond my musical grasp. This is not his failing, of course, but mine.
As other reviewers have mentioned, the first part of the book is on "Aesthetics," -- "Sounds," "Movement," "Rhythm," and so on. But he approaches these things philosophically, as the heading, "Aesthetics" would suggest. So when he deals with "Sounds" he explains a somewhat abstract notion of the "acousmatic" as the basis of his understanding of sound, and not the physical production of sound. I apologize to the reader if I have not explained this principle, but I was more interested in other things than this chapter.
To get back to the discussion of Adorno, Scruton explores Adorno's treatment of "kitsch," fairly, I think, and also does a good job of defending tonal music from Schoenberg and Adorno's insistence on atonal musical approaches.

One of the reasons I bought the book was certainly to read Scruton's treatment of Adorno. I had read a book in which Adorno called Stravinsky "hebephrenic," which is a kind of schizophrenia in which the subject is reduced to engaging in adolescent inanities. I really wanted to know what manner of man Adorno was to do this sort of a thing, and I have a feeling I will not get closer to answering this question than I have since reading Scruton's take on Adorno. If you liked this book, and have any interest in architectural aesthetics, I would recommend Scruton's "The Aesthetics of Architecture," recently republished.
これらのレビューは参考になりましたか?   ご意見はクチコミでお聞かせください。

クチコミ

クチコミは、商品やカテゴリー、トピックについて他のお客様と語り合う場です。お買いものに役立つ情報交換ができます。
この商品のクチコミ一覧
内容・タイトル 返答 最新の投稿
まだクチコミはありません

複数のお客様との意見交換を通じて、お買い物にお役立てください。
新しいクチコミを作成する
タイトル:
最初の投稿:
サインインが必要です
 

クチコミを検索
すべてのクチコミを検索
   


関連商品を探す


フィードバック