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The Performance of 16th-century Music: Learning from the Theorists (英語) ペーパーバック – 2011/3/30


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内容紹介

Modern musical training tends to focus primarily on performance practices of the Classical and Romantic periods, and most performers come to the music of the Renaissance with well-honed but anachronistic ideas and concepts. As a result, elemental differences between 16th-century repertoire and that of later epochs tend to be overlooked-yet it is just these differences which can make a performance truly stunning.

The Performance of 16th-Century Music offers a remedy for the performer, presenting the information and guidance that will enable them to better understand the music and advance their technical and expressive abilities. Drawing from nearly 40 years of performing, teaching, and studying this repertoire and its theoretical sources, renowned early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes the reader through part-books and choirbooks; solmization; rhythmic inequality; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest and glorious potential.

レビュー

an engaging and useful study (Richard Wistreich, Early Music)

[a] subtle and coherent story ... No one who performs sixteenth-century music, and no one who cares about what this music sounded like or how they understood it back then, can afford to be without this ... book. (Kenneth Kreitner, Performance Practice Review)

Ann Smith ... does an immense service to performers, and especially to students, not only by bringing relevant quotations together, but also by contextualizing them without in any other way over-simplifying their ambiguities. ...we should expect nothing less of someone who has devoted her working life to developing and imparting such understanding. (Richard Wistreich, Early Music)

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4 人中、4人の方が、「このレビューが参考になった」と投票しています。
An essential book on the philosophy of musicianship for ALL MUSICIANS 2011/10/21
投稿者 P. H. Bloom - (Amazon.com)
形式: ペーパーバック Amazonで購入
Anne Smith's book is an urgently needed manifesto concerning the universal art of musicianship. Each of her explications of Renaissance musical arcanae is beautifully rendered. Much more that a performance practice tutor, it's a treatise on aesthetics. I'm deeply impressed by her approach, her eloquence, her well reasoned conclusions, and her avoidance of the usual musicological dogma. The transcendence of her scholarly method is likely too subtle for many to notice, but her practical info is of universal value.
16th-Century Music in Theoretical Detail! 2014/8/8
投稿者 SueGrace - (Amazon.com)
形式: Kindle版 Amazonで購入
More than good, this book is an excellent summary for those who can stick to it. I would suggest it as a college reference book for upper-division and graduate students in early music.
2 人中、0人の方が、「このレビューが参考になった」と投票しています。
Quick! 2014/2/13
投稿者 Charles Hughes - (Amazon.com)
形式: ペーパーバック Amazonで購入
I purchased this as a duplicate to share with friends.

Thank you for the fast service and a good price.
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