The Last Queen: A Novel [ペーパーバック]

I've now read the new version of this novel, which was sold to Random House in a two-book deal. Not only has the author finally gotten recognition for his efforts, but the new scenes and edit have refined and smoothed whatever rough edges this book once had. C.W. Gortner writes with eloquence and style; he turns his masterful pen to Renaissance Spain and conjures a diverse and complex land recently united by the Catholic monarchs, Isabel and Fernando. Spain is unfortunately not explored nearly as much as it should be by historical fiction novelists and Gortner brings it to life through the eyes of Juana la Loca, arguably the most beautiful and certainly most enigmatic of the Catholic monarchs' four daughters. Known to history as the Mad Queen and the older sister of Katherine of Aragon (Henry VIII's first wife) Juana has often been neglected as a figure in her own right. This novel restores her to her proper place - and what a dramatic place it is! Through vivid prose and an intense feeling for emotional characterization, Juana tells us her story - from her arranged and ultimately tormenting marriage to the Hapsburg Emperor's son Philip to their lethal struggle for the throne of Spain, which Juana inherits through tragedy. Incredible characters like Queen Isabel, wily Fernando of Aragon, as well Henry VII of England and Louis of France, make memorable appearances; Isabel in particular is a compelling combination of steel and sacrifice. But it is the courageous, amazingly young, and very human Juana who dominates the story, and the secrets she reveals are startling and unexpected. A sumptuous feast for the senses, this novel exemplifies the best of historical fiction - accurate and yet daring in its approach, respectful of the facts but focused on the human elements; you are captured by Juana's story until the very end, when you find yourself both awestruck and haunted by this queen who truly has been forgotten by most of the world until now.

The Tudors of England have enjoyed surging popularity in the past year, with a hit Showtime series and Philippa Gregory's acclaimed historical novel The Other Boleyn Girl, which was adapted to the big screen last winter. But few people know about Juana of Spain, also known as Juana la Loca, sister to Henry VIII's first wife Katherine of Aragon. In The Last Queen, C.W. Gortner proves that Juana's story is just as complex and captivating as that of her more famous younger sister.

The novel opens in 1492 when Juana is 13 years old. Her parents, Ferdinand and Isabella, have just conquered Grananda, ending 300 years of Moorish rule. Juana has never known life apart from the crusades and her parents' all-consuming dedication to uniting Spain and expelling the Moors. Ferdinand and Isabella passed their passion and fierce nationalism on to at least one of their four daughters: from childhood, Juana harbored an intense loyalty to her native land.

In 15th century Europe, royal children were betrothed in marriage not for love, but to facilitate political alliances. Juana was no exception. Her parents arranged a marriage between Juana and Philip the Fair, Hapsburg heir and archduke of Flanders.

Initially resistant to the marriage, Juana eventually fell in love with Philip and resigned herself to life in Flanders, outside her beloved Spain. But everything changed when, through a succession of family deaths, Juana became direct heir to the Spanish throne; she suddenly saw an ambitious, calculating, even cruel side of her dashing husband.

Chaos ensued. The life Juana had built in Flanders crumbled as everyone around her scrambled to exploit any and every possible political advantage. Her husband was influenced by deceitful, unscrupulous advisors. Her parents put political objectives before family. Church officials were corrupt, and often the most politically ambitious men around. The Spanish nobles who had long resented the power held by Ferdinand and Isabella were determined to wrest it from Juana as soon as the opportunity presented itself.

Juana was anguished by the mistrust she felt toward her husband and parents. She missed her children, all of whom she was separated from at various points in time. She was driven by an underlying loyalty to Spain that compelled her to accept unthinkable risk in order to claim her rightful place as its queen.

The diverse cast of characters in this novel - both heroes and villains - is well developed, sure to evoke a mixture of compassion, admiration, and ire in the reader. Historical figures come alive, and relationships and alliances between various 15th century European monarchs are illuminated.

Gortner sets his story firmly in its historical context, giving the reader a clear sense of a time when adultery was a given and wives were expected to turn their heads, political ambition was paramount, and strong independent women risked being branded as crazy (in Spanish, loca.)

The plot pacing is perfect. Gortner covers considerable territory, without rushing or overwhelming his reader, providing just the right amount of historical background, and fleshing it out with romance, family drama and political intrigue.

Outside of Spain, she might be a relatively obscure historical figure, but by the end of this novel, Juana la Loca seems incredibly real, a person full of conflicting passions and loyalties with a compelling story to tell.

Reading books like this make you realize how lucky you are not to have been born a princess in 1400's Europe. In this novel about Juana of Castille - the second daughter of Ferdinand, King of Aragon, and Isabella, Queen of Castile - Gortner allows you to witness the delicate balance of power and impotence that marked Juana's life. Married off to Philip the Handsome at a young age, her life was continually marked by the power she could potentially wield and the control men had over her. Although she eventually became heir to the Crown of Spain, her husband and father never allowed her to claim her throne. Her once passionate marriage to Philip transformed into one marred by his thirst for power, and even turned abusive when he began spreading rumors about her "madness" in order to justify keeping her locked up. Indeed, her own father and son used the madness card to imprison her in the tower of Torsedillas for fifty-five years, until her death in 1555. Gortner takes some liberties with the storyline, changing for instance, the method of Phillip's death, but his modifications add depth to the story and in the afterword he fully admits he took liberties with Juana's history. He also gave Juana the benefit of the doubt when it came to questions of her sanity. While many historians believe she suffered from schizophrenia, Gortner gives us a woman whose life pushed her to the brink of human endurance and sanity.