The Heart of the Matter. Emily Giffin [ペーパーバック]

I like Emily Giffin's newest book HEART OF THE MATTER because it explores something fundamental, basic and easy to understand about human nature, that we rarely if ever see ourselves as the villain when we tell the story of our lives. For every mistake we make, we can justify it by telling ourselves the reasons we did it. For every choice that we decide that affects other people, we know what led us to them. And when every small choice we make suddenly puts us square in the middle of some disaster and we're the "bad guy" in the situation, it's not like we didn't have good intentions at the start. And it's that sort of disaster that leads HEART OF THE MATTER's two narrators, Tessa and Valerie, to find themselves at odds with one another. And because each of them gets to tell their version of events to us, there's not really a villain in this story of injured children, gossipy private school moms, broken families and, more than anything, infidelity. Tessa and Val are just two women who've made mistakes and bad choices for very good reasons. And, under different circumstances, they'd probably be really close friends.

Tessa and Val's story begins with an accident. Valerie Anderson is a strong, determined, stubborn single mom to Charlie, a very sweet, sensitive little boy who's a student at a private school in Boston. She reluctantly allows Charlie to go to a friend's birthday party, even though she finds the parents involved to be rich and snotty. At the party, Charlie is seriously injured in a campfire and rushed to the hospital. Val beats herself up over these choices, not trusting her instincts, massively upset over her hurt little boy. Her twin brother Jason tries to comfort her. But no one is able to reassure her until her son's excellent, attractive pediatric plastic surgeon, Dr. Nick Russo, arrives and tells her that Charlie is a beautiful child and would continue to be. It's just what she needs to hear at a very tough time.

Nick, though, had to rush to the hospital from his seventh wedding anniversary dinner with Tessa, his loving, fun wife who's struggling to redefine her identity after she's given up her job as a professor to be a stay-at-home mom to her two little kids, Ruby and Frank. Tessa's mom advised her not to quit her job because she was afraid that Tessa might lose herself or become resentful of her frequently busy, often absent genius husband. Tessa feels inferior to all of the other private school moms around her, even her friend April, a cold perfectionist, and Romy, a rich woman who's panicked because the campfire accident that burned Charlie happened at her house.

So Tessa and Val are connected by community, by mutual acquaintances and now through Nick, whom they both come to care for and have issues with.

Giffin's writing style and the alternating points-of-view allow us to care about both women, building suspense as we wonder just how far their lives will become entwined and just how far the love triangle that eventually becomes central to the novel will go.

HEART OF THE MATTER is arguably Giffin's best book. Like her other novels, it's occasionally laugh-out-loud funny. But, in her fifth book, Giffin allows herself to explore the deeper, darker mistakes and the minutae that can harm well-meaning people trying to find themselves while coping with marriage.

HEART OF THE MATTER is deep and serious, occasionally incredibly sad and moving. She lets us get to know Tessa and Val and care for them in the way that her readers came to love her SOMETHING BORROWED/SOMETHING BLUE heroines Rachel and Darcy. And she mines new territory by criticizing the privileged, gossipy culture of moms that the two women live in.

HEART OF THE MATTER is occasionally as funny, tangled and bitterly insightful as Tom Perrotta's LITTLE CHILDREN, another great book that I found myself thinking of often as I read this. But the voice of HEART OF THE MATTER is distinctly Giffin's, and fans - in particular fans of SOMETHING BORROWED - will not be disappointed by HEART OF THE MATTER.

There is much to love in this new book.

Something Borrowed is my favorite modern novel. Period. I love how it shows a balanced, thoughtful, emotional account of infidelity, friendship, and the complexities of turning 30 with unrealized expectations...with flawed characters whose voices and backgrounds are varied and ring true.

It seems, though, that in each subsequent release, the narrators of Giffin's stories become more cookie-cutter, more self-absorbed, more whiny. In fact, the first few chapters of Heart of the Matter were boring...too much exposition, to much 'tell,' flashback, character descriptions. What happened to letting us know the characters by their behaviors and actions? Honestly, I was thrown back to Sweet Valley High when Jessica and Elizabeth's physical appearances, down to their aquamarine eyes, were described in detail around page 6 of Every. Single. Book.

Also: female novelists: PLEASE stop giving every mommy-protagonist a single BFF who is longing to have what the mommy has. Is it possible that some single women are happy with their lives? Is it possible some married mothers are best friends with... other married mothers? You don't need that cliche character in order to cultivate a random bar/hi-jinks plot excursion. Cate was unnecessary. Completely. (And don't get me started on Romy. People DO have layers...even rich, entitled ones).

That said, this story did get better as time went along, although I found the character Val, because of what she exposed her child to, to be not nearly as sympathetic as she should have been. I found Tessa to be fairly bland. I found the re-appearance of two of my favorite characters from Giffin's original storyline (I won't name and spoil it) to be very exciting at first...but also... a little vanilla.

I am worried that Giffin has shown us all her tricks, kind of like Danielle Steel did with her first 2 or 3 of 8 million novels. We have a lawyer...we have a competitiveness among well-to-do women...we have infidelity of some kind...we have a female character who basically has it all but is inexplicably unsatisfied over conditions she could change if she tried... oh, and we have twins. (It's not a bothersome recurring happenstance, but again, we get it. Giffin has twins...)

The relationship between Tessa's parents and the culmination of their past was my favorite moment in the book. I also appreciate that The Conflict was handled with sensitivity toward all parties involved. For once, though, I would appreciate a mommy story in which the mommies are not too busy trying to one-up each other and make their kids into organic-Stepford-moppets to actually support and advocate for one another. There was a great passage in the book in which Tessa describes all the things the mommies compare in each other... their husbands, their houses, their problems. What I loved most about the passage was that the things listed were all things I discuss with my mommy friends...in a NON-critical or competitive way.

Why is it so hard for female novelists to give females credit?

I will continue to read Giffin, because she created Dex and Rachel and Darcy and Marcus and Hilary...but when the next novel comes out, I might be on the library's waiting list instead of on the Amazon pre-order...

So, a while back, my girlfriend (now my ex, but that's another story) convinced me to read Emily Giffin's books with her. Subsequently, though I'm probably not the target audience for these books, I've become hooked on them - Giffin has an easy, fluid writing style and a real knack for getting at the emotional core of complicated personal issues and relationships. Reading her books is like having a conversation with a trusted friend and it's easy to appreciate these stories on a number of levels.

Heart of the Matter is a notch above all of Giffin's other books. As good as those books were, this one has a depth of emotion that seems richer in comparison, and Giffin does a fantastic job of mining that depth for some powerful and compelling storytelling. Maybe it's because these characters are established "adults," living married lives with children. Maybe it's just because you get to see the story unfold in dueling perspectives. Maybe it's just because it's just a really good book. Whatever it is, this one really hits home and I thoroughly enjoyed it from beginning to end.

Speaking for the male faction, I just want to say how much I enjoyed this book, and will look forward to Giffin's next. Definitely not just "chick lit." Go get it.