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商品の説明
内容説明
A tense and nerve-shattering classic from the highly acclaimed masster of action and suspense. A ROLLING FOR KNOX is how the journalists describe the Presidential motorcade as it enters San Francisco across the Golden Gate. Even the ever-watchful FBI believe it is impregnable -- as it has to be with the President and two Arab potentates aboard. But halfway across the bridge the unthinkable happens. Before the eyes of the world a master criminal pulls off the most spectacular kidnapping in modern times!
内容（「BOOK」データベースより）
アメリカ大統領とアラブ産油国の国王らを乗せた専用バスが金門橋上で強奪された。知能犯ブランソン率いる犯人グループは、橋の交通を遮断し、爆薬を設置する。彼らの目的は5億ドルの身代金。要求が受けいれられぬ場合には、橋を爆破するという。現場に駆けつけた政府首脳らもブランソンの完璧な計画に、なすすべもない。だが、さしもの知能犯も、大統領一行の中にFBIのリブソンが潜んでいるとは知るよしもなかった―。かくて史上空前の大犯罪をめぐり、熾烈な頭脳戦が開始される!風光明媚なカリフォルニアに展開する大型冒険アクション。
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カスタマーレビュー
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
8件のカスタマーレビュー
3 人中、3人の方が、｢このレビューが参考になった｣と投票しています。
Between Pillars of Fortune
2005/7/21
形式:マスマーケット
"I've always maintained that all Presidential candidates should undergo an IQ test." Would that this were the first sentence of The Golden Gate! Alas, it appears on page 135, spoken like a true criminal mastermind with the fortitude of a German tank. This is Peter Branson, the man behind an admittedly complex presidential kidnapping, who spits (smoothly!) this remark to the President's face, he who asked a question meant to confirm his worst fear: his life, and those of several important Arabian representatives, a shiek, and an oil king, hangs by a thread.
Half a billion dollars is required payment for their lives. MacLean chose a sum that may have seemed exorbitant in 1976, but still holds as incredibly high for a tale told nearly 30 years later.
MacLean is in near-top form as he takes the reader through the antagonists' point of view, their set-up, and how they nab the president in the very middle of the Golden Gate Bridge. Only then does Agent Paul Revson arrive (and in an unexpected way). His affiliation with MacLean's greatest heroes (Michael Reynolds, Peter Mason, John Carter) could be that of a direct bloodline; his flaws make him human, but his extravagant conception of Branson's downfall makes him a military genius. The true Army of One.
The first paragraph is a little deviant---straying from MacLean's signature first sentence idioms---written in a peculiar checklist method. I mention this only because I am aware of MacLean's slight decline in effective storytelling which many have claimed began with The Way to Dusty Death, a title I have yet to read, but I will dispute this notion: Breakheart Pass, Circus, and The Golden Gate are as fabulous, if less character driven, than his earlier books. The Golden Gate is no exception, surpassing Circus in scope and suspense!
Keep an eye out for General Carter. The last name is carried over from the hero of The Golden Rendezvous. My dictionary dash consisted of rubicund (116). I read the 1976 Fawcett Crest edition.
Half a billion dollars is required payment for their lives. MacLean chose a sum that may have seemed exorbitant in 1976, but still holds as incredibly high for a tale told nearly 30 years later.
MacLean is in near-top form as he takes the reader through the antagonists' point of view, their set-up, and how they nab the president in the very middle of the Golden Gate Bridge. Only then does Agent Paul Revson arrive (and in an unexpected way). His affiliation with MacLean's greatest heroes (Michael Reynolds, Peter Mason, John Carter) could be that of a direct bloodline; his flaws make him human, but his extravagant conception of Branson's downfall makes him a military genius. The true Army of One.
The first paragraph is a little deviant---straying from MacLean's signature first sentence idioms---written in a peculiar checklist method. I mention this only because I am aware of MacLean's slight decline in effective storytelling which many have claimed began with The Way to Dusty Death, a title I have yet to read, but I will dispute this notion: Breakheart Pass, Circus, and The Golden Gate are as fabulous, if less character driven, than his earlier books. The Golden Gate is no exception, surpassing Circus in scope and suspense!
Keep an eye out for General Carter. The last name is carried over from the hero of The Golden Rendezvous. My dictionary dash consisted of rubicund (116). I read the 1976 Fawcett Crest edition.
1 人中、1人の方が、｢このレビューが参考になった｣と投票しています。
The hero is the key in all MacLean's books!
2000/11/9
形式:ハードカバー
I think James Bond should take a leaf from Alistair Maclean's books. His hero in this "yarn" defies description, someone who is smart, a little cynical, unwilling to give in to the momentary distractions of injury or beautiful spoiled women (who are actually great heroines in disguise!) in order to force the hand of the blackguard holding the world in thrall. My most memorable scene in this book is when the protagonist is suffering from a bullet-ridden leg, yet hanging from the side of a porthole in high wind, trying valiantly to get past the villains that have hijacked this ship which has precious lives and gold cargo. It's a real treat and an engrossing read, especially because it is so fantastic! I would rather take a hero of Maclean's stamp than Ian Fleming's any day of the week!
British characters masquerading as Americans
2008/3/20
形式:マスマーケット
I agree with most of the foregoing reviews for this book. I found it in a beach house we rented and got through it quickly. It's entertaining and works in spite of the unlikely happenings. I almost jettisoned it unfinished, however, because of one bizarre quirk. Someone else in this forum remarked that one of the characters speaks in British idiom-with a convenient excuse about going to school in England-but it's worse than that. ALL of the characters talk as if MacLean had never set foot in the USA! Did he? I mean, we are talking about the Golden Gate Bridge, at the entrance to San Francisco Bay, right? But the characters all talk as if they came straight out of borstal, Wormwood Scrubs, and Scotland Yard! At one point near the end, there's a real howler: one of the local lawmen on the bridge mutters something about calling in the armed police.
The Armed Police?
That was the last straw. Obviously, MacLean was unaware that there are no "Armed Police" in America, and really couldn't be bothered to get it right. Sloppy work, MacLean. The weird dialogue made suspension of disbelief difficult. If he couldn't manage American idiom, why set it in the US?
The Armed Police?
That was the last straw. Obviously, MacLean was unaware that there are no "Armed Police" in America, and really couldn't be bothered to get it right. Sloppy work, MacLean. The weird dialogue made suspension of disbelief difficult. If he couldn't manage American idiom, why set it in the US?
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