The Essential Bordertown: A Traveller's Guide to the Edge of Faerie [ハードカバー]

I loved Patricia A. McKillip's "Oak Hill" for many reasons, but one of them is that its protagonist reminded me of myself in junior high--a lonely girl with bad skin looking for magick. I particularly liked the fact that the girl has no terrible reason to come to Bordertown; she just wants something better--something more--than what she has. McKillip's prose is beautiful as ever, and the ending, though of course I won't give it away, is simple and powerful. "Dragon Child" by Midori Snyder is largely set in Dragontown, which has always been one of my favorite areas of Bordertown. Eli, half elvin and half human, escapes from his cruel elvin father to Bordertown, where he struggles to fully free himself from the aristrocratic father who has controlled him all his life. The story doesn't offer any easy answer to Eli's problems; it may be about a boy who blurs the border between the World and Faerie, but it's realistic.

"Changeling" by Elisabeth Kushner I admit I was already predisposed to like--young lesbians desperately trying to build a happy life for themselves have always had a special place in my heart. "Oak Hill" shows Bordertown as a place to run to; "Changeling," like "Dragon Child," shows it as a place to run away to. Selkie/Seal (neither her given name, of course; people who come to Bordertown frequently give themselves new names, in the hopes of new lives) is trying to find a place where her "difference" won't stand out, and comes to Bordertown--where it might not be easier, but it might also be better. The final member of my top four, Ellen Steiber's "Argentine," is about an elvin girl who didn't run anywhere--she was banished, her memory erased, to Bordertown, where she does what she seems to do best: steals. Argentine seeks out things that matter to people, and takes them, to feel the love they contain. But no thief's luck lasts forever, as the ghost of a dead man is only too happy to remind her when she takes his living lover's necklace. Steiber makes Argentine a sympathetic character, despite the things she does, and Roberto, already dead, is tragic. This story makes me cry almost every time I read it.

The Essential Bordertown definitely holds its own within the series, and I highly recommend it--and if you like it, you should try to find the others, although some are out of print and hard to get ahold of.

As for me I LOVE the Patricia A. McKillip story here the best and also the Elisabeth Kushner story about two gay girls, and lots of other stories besides. As a mixed race teenager, Black dad and White mom, I can REALLY relate to stories about kids from two races trying to fit in. And also I really like the fact that the books are even more "multicultural" now. My only complaint is that I want more more more. Ms. Windling and Ms. Sherman and Tor Books, please don't make us wait so long for the next one!!! And please bring this out in paperback so I can own my own copy since I can't keep this library copy forever.Thank you.

The Delia Sherman story was my personal fav (welcome to Bordertown, Ms. Sherman!) but there was plenty o' other good tunes here too. Patricia A. McKillip's story broke my heart, Ellen Kushner's story made me laugh, Midori Snyder is back in fine form and I liked the less polished but raw and dynamic stories by newcomers like Jenna Felice and Donnard Sturgis too. Special nod to Felicity Savage for her cool and snarky tale at the end o' the book. There's one thing me and Chicago Reader can agree on though: Ms. Windling's "guide" pieces are the absolute best.

To the writers and editors of this volume: thanx from all us Border Rats here in Flagstaff. Borderland just keeps getting better and better. Those of you readers who may be new to the Border, the other books in the series are great, but start with this one. Start with the best.