- ペーパーバック: 320ページ
- 出版社: Quarry Books (2012/2/1)
- 言語: 英語
- ISBN-10: 1592537251
- ISBN-13: 978-1592537259
- 発売日： 2012/2/1
- 商品パッケージの寸法: 21.6 x 2.5 x 25.7 cm
- おすすめ度： 4件のカスタマーレビュー
- Amazon 売れ筋ランキング: 洋書 - 8,722位 (洋書の売れ筋ランキングを見る)
The Art of Urban Sketching: Drawing On Location Around The World (英語) ペーパーバック – 2012/2/1
"Campanario founded the nonprofit organization Urban Sketchers, and this book showcases the work of over 100 artists worldwide who draw scenes from the cities where they live and travel, posting them at urbansketchers.org. The concept caught on fast, and new groups are forming around the world, connecting with each other online. Here, Campanario offers guidance on tools, techniques, the urban environment, and drawing styles, but the main strength of this book is the 500-plus full-color examples of successful sketches drawn in metropolises and towns all over the globe. VERDICT: Part travel book, part art instruction, this is a great guide to look at before (or instead of) your next vacation." - Library Journal
A native Spaniard, Campanario moved to the U.S. in 1998 and has lived near Seattle with his wife and two children since 2006. His journalism career spans two decades, working for newspapers in Barcelona, Lisbon, California, and Virginia. Campanario has a master’s degree in journalism from the University of Navarra in Pamplona, Spain.
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This book is 320 pages thick. For the price, it's a terrific bargain. There are over 500 sketches featured from artists all around the globe. The styles are incredibly varied, ranging from pencil sketches to watercolour paintings. Each artist has a personal style, and each sketch has a story to tell. Some of the artists are so good they should publish their own books. Gerard Michel is one of them.
There are three sections in the book. The first is the introduction on urban sketching. The second section showcases the different places drawn. That's the bulk of the book. And the third provides inspiration on where and what you can draw.
The location drawings are accompanied by artist profiles and drawing tips. This isn't an instructional book so it doesn't really cover the techniques on drawing.
I like the short stories on the sketches. Florian Afflerbach and his friends were drawing in Venice when the flood came and soak their feet. Nina Johansson documented the demolition of a public bath house, and the protest against the demolition.
Artist Joao Catarino has a sentiment that I share: Drawing everywhere is like traveling all the time. Sketching is one way to get the holiday mood all the time. I can look back at my sketches and remember vividly the places visited. I cannot say the same for travel photos I've taken. The experience is richer when you're not looking but studying a place. I wish I had started sketching earlier.
This is a fantastic book.
(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
The 300-plus pages are divided into three parts. The first helps beginning sketchers gather the right tools and attitude to adopt the urban sketchers' manifesto.
The second, and largest, section, the meat of the book, compiles the work of more than a hundred artists worldwide giving us their unique urban views. It's nothing short of amazing to see the variety of styles, media and perspectives. Some sketches are casual and loose, while others are intensely detailed. Some are completed in minutes; others in many hours over the course of weeks. All are the result of careful observation and the desire of the artists to truly know a place by sketching it.
I especially enjoyed the artist profiles, their first-person anecdotes about the scenes they sketched and the photos of those artists sketching (usually standing on a street corner, sitting against a building or on a bench). I also appreciated brief technical tips the artists offered to make outdoor sketching more comfortable or make drawings more interesting, and information about how long the sketch took and media used. Some sites depicted are easily recognizable because they are widely photographed, yet the sketches are more intimate and personal than most photos. Other cities are less-often seen in the media, so these glimpses of faraway neighborhoods seem led by personal tour guides.
The third section covers themes - architecture, seasons, nighttime sketching - that urban artists are compelled to sketch. "People in Action" - my personal favorite sketching subject that I also find most challenging - includes helpful tips on how to capture movement, mood and energy when you only have a few minutes or seconds before the "model" is gone.
As a long-time wannabe sketcher, I have read and admired many books on nature sketching (Hannah Hinchman's fine work comes first to mind), but as a city dweller, I don't often or easily see the breathtaking landscapes and wildlife shown in those books. Finally, a book of sketches for the rest of us that makes it clear that the urban landscape can be as compelling, moving and ever-changing as nature. If you have any desire to capture your urban life in a sketchbook or view how others have captured theirs, you will love this book.
It provides beginners the initial push to confront the white paper by means of simple schemes. The tips of the selected artists - more than 100 - will speed up the learning process of anyone who wants to go further.
For those who already know how to draw, the book offers a collection of themes and approaches that will really be able to "open the mind" for new horizons. Based on the urban theme, one can have a broad range of techinques and be able to combine new formulas that have proven successful.
Thanks to the personality and the spirit of the author, who made a meritocratic selection of the artists presented, the book provides valuable "solutions" for almost all problems faced by an urban sketcher while trying to accomplish his task of selecting the most important information from the urban scene depicted. This is truly useful even for the most experienced sketchers.