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内容説明
Over the past 25 years, Pixar s team of artists, writers, and directors have shaped the world of contemporary animation with their feature films and shorts. From classics such as Toy Story and A Bug s Life to recent masterpieces such as Up, Toy Story 3, and Cars 2, this comprehensive collection offers a behind-the-scenes tour of every Pixar film to date. Featuring a foreword by Chief Creative Officer John Lasseter, the complete color scripts for every film published in full for the first time as well as stunning visual development art, The Art of Pixar is a treasure trove of rare artwork and an essential addition to the library of animation fans and Pixar enthusiasts.
著者について
Amid Amidi is the co-founder of the popular animation blog CartoonBrew.com and publisher and editor of the magazine Animation Blast. He is also the author of Cartoon Modern.
John Lasseter is a two-time Academy Award-winning director and the chief creative officer at Walt Disney and Pixar Animation Studios.
John Lasseter is a two-time Academy Award-winning director and the chief creative officer at Walt Disney and Pixar Animation Studios.
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『The Art of Pixar』とは卑賤から身を起こして今世界中に愛されているようになって来たアニメーション・スタジオの話を語る素敵な本である事です。
スティーブ・ジョブズ（Steve Jobs)とスタジオの皆さんを魅了した。何年を経って数々の映画を制作してピクサーが素敵な映画を創ったりキャラクター・アークも上手に伝えたりする事が今までも続けられることに対してやっぱり素敵だね。
この３２０ページの素敵な画集に最新の『カーズ2』までの作品と色なイメージ・ボード が含まれる。確かこの特集で初めて登場する短編アニメ映画のコマもある。本の後ろの１００ページにも特別に選ばれた過去２５年からの作品が全面に印刷される。
イメージ・ボード を創ったアーティストさんの多様な芸術性を楽しめて本当に良かったです。エッグルストンさんとドミニク・R・ルイスさん(Dominique R. Louis)のパステル・カラーの作品が好きです。ルー・ロマーノ(Lou Romano)が描いた『Mr.インクレディブル』のためのベクター・イメージはパステル版とは斬新な手法をとれる。ページをめぐりつつだんだんとデジタル・アートになる。『カーズ2』にシャロン・キャラハン(Sharon Calahan)が描いたイメージ・ボード はとても細かくて、実際のアニメ映画からのコマじゃないかなと疑うぐらいね。
この画集が完全なイメージ・ボード があると主張していたのですがそれはちょっと違いますね。クロニクル・ブックスが出版する他のピクサー画集も持っていますが比べたら今回の特集は以前の版に載せたイメージ・ボード の中から取り上げないイメージ・ボード もあるね。例えば、『ファインディング・ニモ』。それで、埋め合わせるために多くに新しイメージ・ボードを取り上げています。『カーズ』と『カーズ2』のイメージ・ボードのために追加のページが用意された。更に、『レミーのおいしいレストラン』の画集、『The Art of Ratatouille』に載せられなかった作品は今回の特集に登場します！
特選の作品って、以前の画集にある特選の数と比べたら、多かった。今回は新しい作品があると思いますが詳しく比較していなかった。複製があってもこの特集がきれいに展開するからこの本はやはり価値がある。
『The Art of Pixar』がアット、アニメーションとピクサーでの優秀な人材をたたえる本だ。この感激的でアミッド・アミジ(Amid Amidi)に執筆して貰った本はおすすめです！
(私のブログでもっとたくさん中身を見ていただけます。私のアマゾンプロフィールからブログへ行けます。)
スティーブ・ジョブズ（Steve Jobs)とスタジオの皆さんを魅了した。何年を経って数々の映画を制作してピクサーが素敵な映画を創ったりキャラクター・アークも上手に伝えたりする事が今までも続けられることに対してやっぱり素敵だね。
この３２０ページの素敵な画集に最新の『カーズ2』までの作品と色なイメージ・ボード が含まれる。確かこの特集で初めて登場する短編アニメ映画のコマもある。本の後ろの１００ページにも特別に選ばれた過去２５年からの作品が全面に印刷される。
イメージ・ボード を創ったアーティストさんの多様な芸術性を楽しめて本当に良かったです。エッグルストンさんとドミニク・R・ルイスさん(Dominique R. Louis)のパステル・カラーの作品が好きです。ルー・ロマーノ(Lou Romano)が描いた『Mr.インクレディブル』のためのベクター・イメージはパステル版とは斬新な手法をとれる。ページをめぐりつつだんだんとデジタル・アートになる。『カーズ2』にシャロン・キャラハン(Sharon Calahan)が描いたイメージ・ボード はとても細かくて、実際のアニメ映画からのコマじゃないかなと疑うぐらいね。
この画集が完全なイメージ・ボード があると主張していたのですがそれはちょっと違いますね。クロニクル・ブックスが出版する他のピクサー画集も持っていますが比べたら今回の特集は以前の版に載せたイメージ・ボード の中から取り上げないイメージ・ボード もあるね。例えば、『ファインディング・ニモ』。それで、埋め合わせるために多くに新しイメージ・ボードを取り上げています。『カーズ』と『カーズ2』のイメージ・ボードのために追加のページが用意された。更に、『レミーのおいしいレストラン』の画集、『The Art of Ratatouille』に載せられなかった作品は今回の特集に登場します！
特選の作品って、以前の画集にある特選の数と比べたら、多かった。今回は新しい作品があると思いますが詳しく比較していなかった。複製があってもこの特集がきれいに展開するからこの本はやはり価値がある。
『The Art of Pixar』がアット、アニメーションとピクサーでの優秀な人材をたたえる本だ。この感激的でアミッド・アミジ(Amid Amidi)に執筆して貰った本はおすすめです！
(私のブログでもっとたくさん中身を見ていただけます。私のアマゾンプロフィールからブログへ行けます。)
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
15件のカスタマーレビュー
27 人中、27人の方が、｢このレビューが参考になった｣と投票しています。
Gorgeous and inspiring
2011/11/3
形式:ハードカバー|Amazonが確認した購入
The Art of Pixar is a gorgeous book that represents the humble beginnings of an animation studio that is now loved by fans worldwide.
The first colorscript was drawn by Ralph Eggleston for Toy Story. That was in 1993 and it had enchanted John Lasseter, Steve Jobs and the rest of the then little studio. Today, many years and films later, it's nice to see that Pixar is still creating them, using them to communicate the emotional arc of their stories.
Collected within the 320 pages of this beautiful book are the colorscripts up to the latest movie Cars 2. Also included are the colorscripts for the many animated shorts that, if I'm not wrong, are all appearing in this book for the first time. The 100 over pages at the back are for selected pieces of art, one printed per page. These are the work from the last 25 years.
It's quite cool to see the artistic styles used by different artists to create the colorscripts. I love the pastel ones by Ralph Eggleston and Dominique R. Louis. The vector style art of Lou Romano for The Incredibles is still a refreshing departure of usual style of drawing them with pastel. Later on, the colorscript slowly evolved to being drawn digitally. The ones by Sharon Calahan for Cars 2 are so detailed I'm not sure if they aren't film stills.
The book claims to have the complete colorscripts but that's not exactly true. Since I have the other Pixar art books published by Chronicle Books, I went back to compare the content. I found out that the book didn't include some of the colorscripts that were featured in the earlier art books. Some from The Art of Finding Nemo weren't included. However, this book includes a lot of new colorscripts that aren't in the earlier books. In particular, there are many more extra pages of colorscripts for Cars and Cars 2. The colorscripts for Ratatouille in this book are not even in The Art of Ratatouille.
As for the selected pieces of art, many are from earlier art books. I guess there some are new pieces but I didn't do a detail comparison. Even if there are some duplication, you'll still want the book because of the colorscripts, all conveniently collected and beautifully laid out.
The Art of Pixar is a tribute to art, animation and the amazing people working at Pixar. It's an inspiring book authored by veteran animation writer Amid Amidi. Highly recommended.
(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
The first colorscript was drawn by Ralph Eggleston for Toy Story. That was in 1993 and it had enchanted John Lasseter, Steve Jobs and the rest of the then little studio. Today, many years and films later, it's nice to see that Pixar is still creating them, using them to communicate the emotional arc of their stories.
Collected within the 320 pages of this beautiful book are the colorscripts up to the latest movie Cars 2. Also included are the colorscripts for the many animated shorts that, if I'm not wrong, are all appearing in this book for the first time. The 100 over pages at the back are for selected pieces of art, one printed per page. These are the work from the last 25 years.
It's quite cool to see the artistic styles used by different artists to create the colorscripts. I love the pastel ones by Ralph Eggleston and Dominique R. Louis. The vector style art of Lou Romano for The Incredibles is still a refreshing departure of usual style of drawing them with pastel. Later on, the colorscript slowly evolved to being drawn digitally. The ones by Sharon Calahan for Cars 2 are so detailed I'm not sure if they aren't film stills.
The book claims to have the complete colorscripts but that's not exactly true. Since I have the other Pixar art books published by Chronicle Books, I went back to compare the content. I found out that the book didn't include some of the colorscripts that were featured in the earlier art books. Some from The Art of Finding Nemo weren't included. However, this book includes a lot of new colorscripts that aren't in the earlier books. In particular, there are many more extra pages of colorscripts for Cars and Cars 2. The colorscripts for Ratatouille in this book are not even in The Art of Ratatouille.
As for the selected pieces of art, many are from earlier art books. I guess there some are new pieces but I didn't do a detail comparison. Even if there are some duplication, you'll still want the book because of the colorscripts, all conveniently collected and beautifully laid out.
The Art of Pixar is a tribute to art, animation and the amazing people working at Pixar. It's an inspiring book authored by veteran animation writer Amid Amidi. Highly recommended.
(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
20 人中、20人の方が、｢このレビューが参考になった｣と投票しています。
Stunningly beautiful book
2011/10/28
形式:ハードカバー|Amazonが確認した購入
If you have the regular 'Art of' books for each film, there is not a lot of new content here. Also there is not much commentary from Pixarians or otherwise. Still, it is just what is says it is, the COMPLETE color scripts... so they're all in there for every film and short, in their entirety, and they're absolutely gorgeous. Also, there is a comprehensive section containing 'world' art, which is basically environmental concept sketches.
Bottom line, if you don't have the full Art Of (film) series, get those first because they cover each film in detail with a lot of great art and first-hand commentary. If you already have all those books (or at least the ones you're interested) and you would like to re-visit all the films and shorts in a new and abstract way then you cannot go wrong with this comprehensive volume.
Bottom line, if you don't have the full Art Of (film) series, get those first because they cover each film in detail with a lot of great art and first-hand commentary. If you already have all those books (or at least the ones you're interested) and you would like to re-visit all the films and shorts in a new and abstract way then you cannot go wrong with this comprehensive volume.
6 人中、6人の方が、｢このレビューが参考になった｣と投票しています。
A Gorgeous Look at the First 25 Years of Pixar Art.
2011/11/1
形式:ハードカバー
All you need to know is that this is a gorgeous book. Like other Art of... books published by Chronicle, this book showcases some beautiful and historic artwork.
Amid Amidi is a well known animation journalist, historian and author. He is the co-founder of Cartoon Brew and has written several books covering animation. This is not his first Art Of... book (The Art of Pixar, The Art of Robots and Cartoon Modern) from Chronicle and I hope it won't be his last.
"In an inspired spurt of a week or so, [Ralph Eggleston] painted the colorscript, a roadmap for the way the color (and thus emotion) would be applied throughout the film."
The idea of a color script might be a new concept to you (it was to me). It is a defining work or a canon on a film that shows the progression, changes and mood of the color as it relates to the stories and the characters. From what I understand, it goes hand-in-hand with the storyboard and might be created before the storyboard has begun. A few studios used the color script before Pixar, but not for every single film and short. Ralph Eggleston created the first color script for Toy Story and it captivated John Lasseter and Steve Jobs. It became a standard tool after that.
Beyond presenting every color script that Pixar has created (at least the ones that were saved), the Art of Pixar shows how the artistry has evolved. It was very surprising to see how close the color script stayed to the final film as well as how different films changed over the course of production. Amid included the color scripts for the short films so you get a look at how the process differs for the shorts. With a company like Pixar, you would assume that all of color scripts would be computer-based art. Surprisingly,they were done with different media, including pastels.
The second half of the book is dedicated to "Select Art from 25 Years of Pixar Animation." There are over 100 pages of artwork sharing the creative process of the 12 feature films. This is closer to what we are used to with a typical Art of... book. The artwork shines and is an impressive look at how the films develop. Amid discusses that the artwork we see is part of the Pixar Living Archive that was created during the development of A Bug's Life. Pixar was shipping its art to the Animation Research Library when Pixar decided to keep its own artwork and create a "morgue" for their artists to use.
With most art-related titles, it is sometimes easier and more effective to let the images speak for themselves. Many of these images would be welcome in any art gallery.
The Art of Pixar is a welcome adition to the body of literature on Pixar. The color scripts offer fantastic insight into the development of the modern animated film. It is a part of the animation process that has not garnered a lot of attention previously. This is a gorgeous book that will leave you speechless at times when you realize how dazzling the artwork is and that more attention needs to be given to the art of animated films.
Amid Amidi is a well known animation journalist, historian and author. He is the co-founder of Cartoon Brew and has written several books covering animation. This is not his first Art Of... book (The Art of Pixar, The Art of Robots and Cartoon Modern) from Chronicle and I hope it won't be his last.
"In an inspired spurt of a week or so, [Ralph Eggleston] painted the colorscript, a roadmap for the way the color (and thus emotion) would be applied throughout the film."
The idea of a color script might be a new concept to you (it was to me). It is a defining work or a canon on a film that shows the progression, changes and mood of the color as it relates to the stories and the characters. From what I understand, it goes hand-in-hand with the storyboard and might be created before the storyboard has begun. A few studios used the color script before Pixar, but not for every single film and short. Ralph Eggleston created the first color script for Toy Story and it captivated John Lasseter and Steve Jobs. It became a standard tool after that.
Beyond presenting every color script that Pixar has created (at least the ones that were saved), the Art of Pixar shows how the artistry has evolved. It was very surprising to see how close the color script stayed to the final film as well as how different films changed over the course of production. Amid included the color scripts for the short films so you get a look at how the process differs for the shorts. With a company like Pixar, you would assume that all of color scripts would be computer-based art. Surprisingly,they were done with different media, including pastels.
The second half of the book is dedicated to "Select Art from 25 Years of Pixar Animation." There are over 100 pages of artwork sharing the creative process of the 12 feature films. This is closer to what we are used to with a typical Art of... book. The artwork shines and is an impressive look at how the films develop. Amid discusses that the artwork we see is part of the Pixar Living Archive that was created during the development of A Bug's Life. Pixar was shipping its art to the Animation Research Library when Pixar decided to keep its own artwork and create a "morgue" for their artists to use.
With most art-related titles, it is sometimes easier and more effective to let the images speak for themselves. Many of these images would be welcome in any art gallery.
The Art of Pixar is a welcome adition to the body of literature on Pixar. The color scripts offer fantastic insight into the development of the modern animated film. It is a part of the animation process that has not garnered a lot of attention previously. This is a gorgeous book that will leave you speechless at times when you realize how dazzling the artwork is and that more attention needs to be given to the art of animated films.
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