Readers who share Alice's taste in books will be more than satisfied with The Annotated Alice, a volume that includes not only pictures and conversations, but a thorough gloss on the text as well. There may be some, like G.K. Chesterton, who abhor the notion of putting Lewis Carroll's masterpiece under a microscope and analyzing it within an inch of its whimsical life. But as Martin Gardner points out in his introduction, so much of Alice in Wonderland and Through the Looking Glass is composed of private jokes and details of Victorian manners and mores that modern audiences are not likely to catch. Yes, Alice can be enjoyed on its own merits, but The Annotated Alice appeals to the nosy parker in all of us. Thus we learn, for example, that the source of the mouse's tale may have been Alfred Lord Tennyson who "once told Carroll that he had dreamed a lengthy poem about fairies, which began with very long lines, then the lines got shorter and shorter until the poem ended with fifty or sixty lines of two syllables each." And that, contrary to popular belief, the Mad Hatter character was not a parody of then Prime Minister Gladstone, but rather was based on an Oxford furniture dealer named Theophilus Carter.
Gardner's annotations run the gamut from the factual and historical to the speculative and are, in their own way, quite as fascinating as the text they refer to. Occasionally, he even comments on himself, as when he quotes a fellow annotator of Alice, James Kincaid: "The historical context does not call for a gloss but the passage provides an opportunity to point out the ambivalence that may attend the central figure and her desire to grow up." And then follows with a charming riposte: "I thank Mr. Kincaid for supporting my own rambling." There's a lot of information in the margins (indeed, the page is pretty evenly divided between Carroll's text and Gardner's), but the ramblings turn out to be well worth the time. So hand over your old copy of Lewis Carroll's classic to the kids--this Alice in Wonderland is intended entirely for adults. --Alix Wilber
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最初に出てくる猫の名前ダイナは実際の飼い猫の名前だったなど基本的なことはもちろん、鏡の国での牛乳の味をアリスが「おいしくなさそう」と言ったことに対して原子配列まで持ち出して考えたりと、あらゆることについて述べられています。
おまけに「鏡の国のアリス」で削除された章も載っています。
本のスタイルが原文+注釈ですので、この一冊でアリスの全てが手に入れられます。
アリスが好きならば、この本を買わずに何を買うのかという感じです。
My point is that this book contributed more to my understanding of logic and wordplay than several semesters of college philosophy classes. If you've read this far then I am probably preaching to the choir but 'Alice in Wonderland' can hardly be classified as a childrens' book, dispite Disney's attempts to do so. The concepts Lewis Carroll and Martin Gardner bring to this tale cover such areas as set theory, meta-language, Aristotelian logic, topography, game theory, several pre-Socratic logic paradoxes, and even quantum physics. Yet John Tenniel's original illustrations remain as an welcome tether to the original publication.
Gardner does a wonderful job of bringing all the various aspects of these two stories together as he illuminates layer upon layer of meaning that might not be evident to an American audience or, for that matter, a 21st century one. My favorite gems are the French and German translations of The Jabberwocky.
This book ranks in my top five favorite books of all time.
Martin Gardner provides annotations throughout the texts of both Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There. Gardner's annotations help explain the inside jokes and mathematical and linguistic puzzles that fill the stories.
Reading the Alice books as an adult is quite a different experience than it was as a child. The books' complexity really stands out on a careful reading. In fact, what are generally regarded as children's stories can be amazingly frustrating to read due to the complexity of the language and the almost constant stream of puns that are sometimes lost on modern audiences. One must remember that the stories are told purely for fun. Unlike other Victorian children's literature one gets no morals, plot development, or character development here. Alice is a yound child who stays a young child throughout her adventures. She neither matures or learns anything from her adventures.
This is a very nice volume in its own right. It contains complete authoritative texts of both books and includes the supressed episode "The Wasp in the Wig." The original Tenniel illustrations are crisp and clear. The only difficulty is that the annotations are placed on the same page as the text in a small column that sometimes supplies more information than the text itself. The annotations themselves range from the definitional to the clearly eccentric. One can read all of them or only the ones that he or she is interested in.
On the whole this is an excellent volume well worth the effort to read if one has any interest in the world of nonsense literature.
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