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曲目リスト
| 1. Sinfonia Antartica (Symphony No. 7): Prelude: Andante maestoso - Lento - Poco animato - Piu mosso - Tranquillo - Andante moderato con moto - Largamente |
| 2. Sinfonia Antartica (Symphony No. 7): Scherzo: Moderato |
| 3. Sinfonia Antartica (Symphony No. 7): Landscape: Lento - |
| 4. Sinfonia Antartica (Symphony No. 7): Intermezzo: Andante sostenuto - Allegretto - Pesante - Tempo primo tranquillo |
| 5. Sinfonia Antartica (Symphony No. 7): Epilogue: Alla marcia, moderato (non troppo allegro) - Andante maestoso |
| 6. Symphony No. 8 In D Minor: Fantasia (Variazioni senza Tema): Moderato - Presto - Andante sostenuto - Allegretto - Andante non troppo - Allegro vivace - Andante sostenuto - Largamente - Tempo primo ma tranquillo |
| 7. Symphony No. 8 In D Minor: Scherzo alla Marcia (per stromenti a fiato): Allegro alla marcia - Andante - Tempo primo |
| 8. Symphony No. 8 In D Minor: Cavatina (per stromenti ad arco): Lento espressivo |
| 9. Symphony No. 8 In D Minor: Toccata: Moderato maestoso |
| 10. Movement Superscriptions For Sinfonia antartica: Prometheus Unbound: Prelude: 'To Suffer Woes Which Hope Thinks Infinite' (Percy Bysshe Shelley) |
| 11. Movement Superscriptions For Sinfonia antartica: Book Of Common Prayer, Psalm 104: Schezro: 'There Go The Ships' |
| 12. Movement Superscriptions For Sinfonia antartica: Hymn Before Sunrise, In The Vale Of Chamouni: Landscape: 'Ye Ice Falls!' (Samuel Taylor Coleridge) |
| 13. Movement Superscriptions For Sinfonia antartica: The Sun Rising: Intermezzo: 'Love, All Alike,' (John Donne) |
| 14. Movement Superscriptions For Sinfonia antartica: Message To The Public: Epilogue: 'I Do Not Regret This Journey;' (Captain Robert Falcon Scott) |
商品の説明
Amazonレビュー
Dutchman Kees Bakels presides over a notably clear-headed and consistently warm-hearted account of Vaughan Williams's breathtakingly evocative and stirring Sinfonia Antartica of 1952 (the Seventh of the composer's nine symphonies, drawn from material from his score for the 1949 Ealing film Scott of the Antarctic). With the Bournemouth Symphony Orchestra on impressive form--and fine contributions from the women from the Waynflete Singers, soprano Lynda Russell and organist Christopher Dowie (whose entry in the awesome central "Landscape" has plenty of tummy-wobbling grandeur)--Bakels's sympathetic reading generates a endearing cogency and (more important still) humanity. What's more, Naxos allow the listener to programme in separately the published superscriptions at the head of each movement: David Timson delivers the texts most eloquently. The Eighth Symphony (completed three years after its bigger brother here) also comes off well but is perhaps rather less memorable as an interpretation, and in the gorgeous "Cavatina" slow movement one tends to notice the marginal lack of refinement in the hard-working Bournemouth string section. All the same, if your budget won't extend to André Previn's identical LSO coupling on mid-price RCA Gold Seal, rest assured that this bargain-basement Naxos issue represents very decent value indeed. --Andrew Achenbach
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