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曲目リスト
| 1. Music For Small Orchestra(1926): I. Slow, Pensive | |||
| 2. Music For Small Orchestra(1926): II. In Roguish Humor. Not Fast | |||
| 3. Three Chants(1930): 1. To An Unkind God | |||
| 4. Three Chants(1930): 2. To An Angel (With Soprano Solo) | |||
| 5. Three Chants(1930): 3. To A Kind God (With Soprano And Alto Solo) | |||
| 6. Piano Study In Mixed Accents: Piano Study In Mixed Accents(1930) | |||
| 7. Three Songs: 1. Rat Riddles(1930) | |||
| 8. Three Songs: 2. Prayers Of Steel(1932) | |||
| 9. Three Songs: 3. In Tall Grass(1931) | |||
| 10. String Quartet 1931: I. Rubato assai | |||
| 11. String Quartet 1931: II. Leggiero | |||
| 12. String Quartet 1931: III. Andante | |||
| 13. String Quartet 1931: IV. Allegro possibile | |||
| 14. 2 Ricercare (1932): Sacco, Vanzetti | |||
| 15. 2 Ricercare (1932): Chinaman, Laundryman | |||
| 16. Andante For Strings (1938) | |||
| 17. Rissolty Rossolty | |||
| 18. John Hardy (1940) | |||
| 19. Suite (1952): I. Allegretto | |||
| 20. Suite (1952): II. Lento rubato | |||
全21曲を見る
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商品の説明
Amazonレビュー
Crawford is a neglected but significant figure in the development of American music in the 20th century. Perhaps it's that she took 15 years off from composing in the middle of her life to help found the American folk revivalist movement carried on by her children Michael, Peggy, and stepson Pete. But her early works define their own new territory next to contemporaries and friends Henry Cowell and Carl Ruggles. With a decidedly proletarian slant, Crawford's earlier works merge folk melodies and forms of meandering clarity and layer them between swirls of chamber dissonance. These include settings of her friend Carl Sandburg's conversational poetry, the political words of Daily Worker writer H.T. Tsiang, the curious and circular patterns in String Quartet No. 1, and the homespun-meets-high-art Rissolty Rossolty. The CD finishes with a song setting by her husband Charles, and her "comeback" work, 1952's Suite for Wind Quartet, which patchworks rolling contemplation, lyrical melody, and forceful irregular rhythms together. --Robin Edgerton
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