内容説明
Sarah Sze is an artist who uses humble materials to create strikingly original sculptures and astonishingly intricate site-specific installations. Her works, each of which she constructs by hand, transform everyday objects into gravity-defying works in horizontal and tower-like formations that zig-zag into the heights of the rooms that try to contain them. The pieces often seem to teeter on the brink of existence, built just at the edge of their ability to sustain themselves structurally. This seeming ephemerality conveys a sense of the fleeting existence of objects, situations and places. This book is the first monograph to include works that span the course of her career and includes images of both her sculptures, installations as well as her drawings.
Book Description
Architecture and the city are at the heart of Sarah Sze's work. In both the materials she uses and the forms she constructs, her installations are a dizzying metaphor for the urban fabric's shifting and improvised nature. Her flowing structures consist of a litany of small-scale household items--for the most part relics discarded by industrial civilization, or modest, domestic objects such as brushes, screws, and toothpicks--that respond to and infiltrate the surrounding architecture. The interplay between individual components and overall structure allows Sze to explore the boundaries between art and everyday life. She offers us a world where neither emptiness nor saturation dominates, where chaos is as relevant as order, and where the common is as important as the extraordinary. Sze's highly inventive and mature output has aroused enormous inter-national interest. Here, for the first time, is an entire record of Sze's extraordinary body of work since her first highly acclaimed show in New York in 1996. Distributed on behalf of the Fondation Cartier pour l'art contemporain. 80 color illustrations.
--This text refers to an out of print or unavailable edition of this title.