Amazon.com
The ways in which this sparkling, unexpected anthology will be classified in libraries and bookstores--lesbian studies; classical studies--will strike anyone who reads it as absurd. A sweeping look at the persistence of the Greek poet Sappho in the artistic and popular imagination, The Sappho Companion draws on everything from the Roman myths of Sappho to the eighteenth century rediscovery of Herculaneum, with its intriguing papyrus fragments, to Pat Califia's 1980 lesbian S/M book, Sapphistry: The Book of Lesbian Sexuality (out of print). The only book that compares to The Sappho Companion in its breadth and imaginative vigor is Charles Sprawson's lyrical book on swimming, Haunts of the Black Masseur: The Swimmer as Hero, in which the swan-diving Sappho makes an appearance. You don't need to know a thing about Sappho to relish this book, but for true enthusiasts, it makes a good companion volume for Yopie Prins's Victorian Sappho, Paige DuBois's Sappho is Burning, and Anne Carson's brilliant meditation, Eros: The Bittersweet. --Regina Marler
From Publishers Weekly
Hailing from the island of Lesbos, which has subsequently lent its name in her honor to a good cause, the Greek poet Sappho, who lived in the 7th century B.C., has inspired centuries of admiration for her transcendent poems, which have only survived in fragments. A British teacher, critic and broadcaster with a wide range of cultural references at her disposal, Reynolds makes this reader's guide to Sappho's world and work a delightfully erudite one. She offers a selection of sapphic fragments in the original Greek, with thought-provoking contrasting translations from a plethora of (often male) writers, ranging from 18th century Englishmen like Tobias Smollett and John Addison, through 19th century efforts by John Addington Symonds and Alfred Lord Tennyson, to more modern versions by William Carlos Williams and Guy Davenport. Following the works are 14 chapters of excerpts from literary endeavors inspired by Sappho ("The Sapphic Sublime," "Daughter of de Sade," "Modernist Sappho," "Swingers and Sisters"), from ancient writers like Catullus and Ovid to the medieval works of Boccaccio and Christine de Pisan, right up to Sexing the Cherry by Jeanette Winterson. Reynolds explains that English speakers pronounce the poet's name with "soft sibilants and faded f's" but "if you hear a native speaker say her name, she comes across spitting and popping hard p's. Ppppsappoppo. We have eased off her name, made her docile and sliding, where she is really difficult, diffuse, many-syllabled, many-minded, vigorous and hard." This lively book, scholarly, yet blessedly minus any footnotes, is sure to give a wider view of this primary writer, and provide easier access to a forbiddingly remote land and work.
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