John Rain kills people. For a living. His specialty: making it seem like death by natural causes. But he won't kill just anyone. The target must be a principal player. And never a woman. Half American, half Japanese-but out of place in both worlds-Rain is filled with opportunities. John Rain may not be a good man, but he's good at what he does...
Until he falls for the beautiful daughter of his last kill.
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in terms of material, rain fall is utterly fascinating. the book underlines the corruption that runs through japanese bureaucracy. this book is fiction, but the corruption matter is very real in japan. it is obvious that eisler has done a lot of research into the matter.
in addition, i highly recommend this book to readers who live or have spent some time in tokyo. eisler did an excellent job in creating tokyo in rain fall.
日本語版は読んでませんが、翻訳の際は苦労されたのでは。
何しろ登場人物達の殆どが日本語も英語もぺらぺらで、英語で
会話しつつもRain sanと「さん」づけで呼んだり、お店に入れば
irasshaimase、格闘シーンではosoto-gariなど柔道の技連発、
と日本語がわかる人には2倍楽しめることうけあいです。
さらに著者のあとがきには、東京の地理やお店の所在についても、
2ヶ所の例外を除いて出来るかぎり正確を期した、とわざわざ
その2ヶ所について注釈を加えるほどの凝りよう。東京在住の方
であれば3倍楽しめる(かもしれない)おいしい1冊なのです。
With Rain Fall, Eisler proves himself a worthy heir to the killer-for-hire sub-genre created by Andrew Vachss, Trevanian, David Morrell, and Eric Van Lustbader.
The book is set in a modern Japan filled with smokey whiskey bars, corrupt politicians, insane gangsters, beautiful jazz singers, plot twists and martial arts. I read it in one sitting. Then I immediately read the sequel, Hard Rain, which is even better.
Rain Fall was named Best Novel of 2002 by Publisher's Weekly, and it's easy to see why. If you like your thrillers tough, honest, and fast-paced, check this series out.
And that knowledge litters this novel. Barry Eisler shares so much understanding of Japan and Japanese culture that this novel is a sheer joy to read. We learn in Chapter 10 of "...sado, the Japanese tea ceremony, [whose] practitioners strive through the practice of refined, ritualized movements in the preparation and serving of tea to achieve wabi and sabi: a sort of effortless elegance in thought and movement, a paring down to the essentials to more elegantly represent a larger, more important concept that would otherwise be obscured." We also learn, in the same chapter, more of John Rain's true nature, as he dispatches with ease, deftness, and an alarming amorality a threat, before continuing his pursuit of other characters, other information... Chapter 10 is itself an excellent fractal representation of the novel, a perfect rendering in writing of sado. Kudos to Eisler, for he achieves throughout this novel 'a sort of effortless elegance in thought and movement...'
A good writer faces difficult choices. To invest so much time and effort to create a fictional landscape and then drop into it real characters - i.e., laced with problems similar to our own so that their decisions and actions are organic, true to character - then only to move on to the next novel and start anew... or mine that fictional world for all that it is worth. Conan Doyle had this problem with Sherlock Holmes, to the point of frustration, of finally killing off Holmes, only to have to resuscitate Holmes after his readers' protestations. Barry Eisler faces a similar problem: how to keep the gold that is this book from a reverse transmutation to lead in subsequent entries, from being too similar to other typical plot-driven suspense and espionage novels. A second novel limning the further trials and tribulations of John Rain arrives in July 2003. I wonder which will triumph: John Rain, the conflicted, real protagonist who inhabits a universe of secrets, betrayals, and bad decisions AND that inspires us to learn more of that culture... or yet another plot-driven thriller, interchageable with most other novels from this genre?
I look forward to HARDRAIN with an equal measure of desire and dread. Nevertheless, I will read it; Barry Eisler's freshman effort is sufficiently superlative that it demands no less. Recommended.
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