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| 1. I. Allegro Ma Non Lanto |
| 2. II. Intermezzo: Adagio |
| 3. III. Finale: Alia Breve |
| 4. Encore: Liu Yang River |
| 5. Etude Op. 2, No. 1 In C-sharp Minor |
| 6. Etude Op. 8, No. 2 In F-sharp Minor |
| 7. Etude Op. 8, No. 3 In B Minor |
| 8. Etude Op. 8, No. 8 In A-flat Major |
| 9. Etude Op. 8, No. 10 In D-flat Major |
| 10. Etude Op. 8, No. 11 In B-flat Minor |
| 11. Etude Op. 8, No. 12 In D-sharp Minor |
| 12. Etude Op. 42, No. 4 In F-sharp Major |
| 13. Etude Op. 42, No. 3 In F-sharp Major |
| 14. Etude Op. 65, No. 3 In G Major |
For once, the thicker, more difficult first movement cadenza doesn稚 sound unwieldy and elephantine. The piano is a little too prominent in the mix next to Temirkanov痴 sensitively detailed, flowing orchestral support. While Lang Lang has not fully internalised the quivering underbelly of Scriabin痴 passionate keyboard writing, his poised and secure readings of 10 Etudes still boast plenty of dynamism, idiomatic nuance, and roaring, Horowitz-like octaves. Watch this pianist!--Jed Distler
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