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登録情報
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曲目リスト
| 1. Scene 1: Outside The House Of Archimago |
| 2. Scene 2: Near The Palace Of Pride |
| 3. Scene 3: The Palace Of Pride - Opening Scene |
| 4. The Seven Deadly Sins - (Variations) 1: Sloth, 2: Gluttony, 3: Wrath, 4: Lechery, 5: Avarice, 6: Envy, 7: Pride |
| 5. The Palace Of Pride - Concluding Scene |
| 6. Scene 4: Near The Palace Of Pride |
| 7. Scene 5: The House Of Holiness |
| 8. Siesta |
| 9. What God Hath Done, Is Rightly Done |
| 10. Lord, Hear My Longing |
| 11. See What His Love Can Do |
| 12. Ah! How Ephemeral |
| 13. Sheep May Safely Graze |
| 14. Praise Be To God |
商品の説明
From Amazon.co.uk
William Walton was drawn into the world of ballet through collaborations with the choreographer Frederick Ashton, whose work defined a period of English dance that came and went and took the Walton/Ashton projects with it: their Façade lived on but not much else. Chief victim of this shift in fashion was The Quest, a patriotic wartime ballet that historians dismiss as hastily conceived, with an uneven score. And yes, the score is patchy, with much of its 45 minutes steeped in music of un-special functionality. But there are also ideas of genius here, and they flower in a finale that crescendos through the repetitions of a passacaglia, opening out from a soft homage to Vaughan Williams to a cinematic grandeur that signals what Walton would be writing next: the film score for Henry V. On this recording, the latest in a commendable Walton series from Naxos, the English Northern Philharmonia doesn't quite shine with virtuosity but does deliver strong, secure, persuasive playing, with a decent string sound that's especially important for the other Walton/Ashton ballets on the disc: The Wise Virgins (orchestral arrangements from Bach) and Siesta (adapted from a charmingly seductive early score of 1926 that supposedly speaks Walton's youthful love of Italy but sounds more like an American-pastoral take on Façade).--Michael White
Album Description
WALTON: Quest / Wise Virgins (The) by David Lloyd-Jones
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