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Written decades after the fact, this book does not pretend to be a comprehensive history of the Burma Theater in the last months of World War II. Rather, it's the war from the perspective of Nine Section in which Fraser fought, first as a Private, then Lance Corporal. (A "section" is the smallest operating unit of an infantry platoon, i.e. 8-10 men.) Besides being a vivid retelling of the author's recollections to the extent that he remembers, it's also an intimate portrait of the organization, weapons, tactics and camaraderie of the British Army at section level at that time, place, and conflict. It's a story told with the humor, intelligence and introspection that comes with maturity and hindsight. And, though some of Fraser's bitterness towards his old foe occasionally shows, age does dull the sharp edges.
"I remember watching, a year or two ago, televised interviews with old Japanese soldiers who had fought in the war ... sitting in their gardens in their sports shirts, blinking cheerfully in the sunlight, reminiscing in throat-clearing croaks about battles long ago. It crossed my mind: were any of you on the Pyawbwe slope, and lived to tell the tale? Well, if they did, at this time of day I don't mind."
Fraser is a truly gifted writer. After VJ Day, he applied for, and was awarded, a commission as a subaltern (2nd Lieutenant) in a Scottish Highland division posted to the Middle East. In this capacity, his experiences served as the basis for his quite wonderful and comedic McAuslan series of fictional stories (collected and available from Amazon.co.uk in THE COMPLETE MCAUSLAN). I unreservedly recommend both of these two books to anyone who has ever served in any branch of the armed forces, no matter what country. I myself was in the U.S. Navy, and Fraser's works are in the "can't put down" category.
What surprised and pleased me most about this book is the imprint of Fraser's own personality and strong opinions --- Flashman he is not. He's an old man now, and has grown more conservative and just a little cranky, but he's no less sharp an observer, resulting in a voice that's perfect (for my tastes) for first-person narration of and commentary on witnessed historical events. He indulges in some sentimentality that his famous character Flashman would have mocked --- about the characteristics of "Englishmen," for instance --- but knowing what he experienced in Burma you feel that he's more than earned the right to sentimentalize. Toward the end he leaves his narrative to defend the use of the atom bomb against Japan; he says that to protect his grandchildren he'd "gladly throw the switch on the entire Japanese nation," and that if you can't say the same you've got no business being a parent. I was shocked and delighted with the honesty of that sentence, and of this book as a whole.
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