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曲目リスト
| ディスク：1 | |||
|---|---|---|---|
| 1. Semyon Kotko: Act I: Introduction | |||
| 2. Semyon Kotko: Act I, Tableau 1, Scene 1: Shol soldat s fronta | |||
| 3. Semyon Kotko: Act I, Tableau 1, Scene 2: Kovo nado? | |||
| 4. Semyon Kotko: Act I, Tableau 2, Scene 1: Prishol soldat Semyon Kotko | |||
| 5. Semyon Kotko: Act I, Tableau 2, Scene 2: Prosnulsa, odelsa | |||
| 6. Semyon Kotko: Act I, Tableau 2, Scene 3: Den dobriy, tovarishchi sosedi | |||
| 7. Semyon Kotko: Act I, Tableau 2, Scene 4: Ochen nam priyatno vnov uvidet vas | |||
| 8. Semyon Kotko: Act I, Tableau 2, Scene 5: Shol soldat s fronta | |||
| 9. Semyon Kotko: Act I, Tableau 2, Scene 6: Shto, moyo serdenko? | |||
| 10. Semyon Kotko: Act I, Tableau 2, Scene 7: Zdravstvuy, soldat! | |||
全23曲を見る
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| ディスク：2 | |||
| 1. Semyon Kotko: Act Three, Scene 1: I snitsya mne opyat | |||
| 2. Semyon Kotko: Act Three, Scene 2: Sonya! Tse ti? | |||
| 3. Semyon Kotko: Act Three, Scene 3: Nu shto ti skazhesh? | |||
| 4. Semyon Kotko: Act Three, Scene 4: I snitsa mne, Mikola, son | |||
| 5. Semyon Kotko: Act Three, Scene 5: Rano, rano, ranenko | |||
| 6. Semyon Kotko: Act Three, Scene 6: Ne slikhat... | |||
| 7. Semyon Kotko: Act Three, Scene 7: Dyadya Tsaryov...dyadya Tsaryov... | |||
| 8. Semyon Kotko: Act Three, Scene 8: Permettez-moi de parler francais | |||
| 9. Semyon Kotko: Act Three, Scene 9: Razreshite predstavit vam | |||
| 10. Semyon Kotko: Act Three, Scene 10: Net, net, to ne Vasilyok | |||
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全28曲を見る
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商品の説明
Amazonレビュー
The Kirov Opera has done a great service by making Sergei Prokofiev's operas accessible to Western audiences whose familiarity with that aspect of the composer's career is sadly limited. Semyon Kotko won't crowd La Bohème off the boards, but it should please Prokofiev buffs. It's not without problems. The story wavers between village comedy and wartime brutality, and the plot line's political correctness is pitched to succeed in Stalin's Soviet Union. But the melodies come easy, even when sung by cardboard characters, and the orchestration is compelling. In Act III, Prokofiev transcended his material, writing a moving love duet and tense, forward-moving dramatic scenes. A topnotch cast, dynamic conducting and orchestral playing, and Philips's best sound in its Kirov Opera series should tempt those even vaguely interested in mid-century Russian music. --Dan Davis
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