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The Wall Street Journal called him “a living legend.” The London Times dubbed him “the most famous art detective in the world.”
In Priceless, Robert K. Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair.
Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid.
In this page-turning memoir, Wittman fascinates with the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation’s first African-American regiments.
The breadth of Wittman’s exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow.
By the FBI’s accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn’t important. After all, who’s to say what is worth more --a Rembrandt self-portrait or an American flag carried into battle? They're both priceless.
The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners. The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat. The appraiser who stole countless heirlooms from war heroes’ descendants was a slick, aristocratic con man. The museum janitor who made off with locks of George Washington's hair just wanted to make a few extra bucks, figuring no one would miss what he’d filched.
In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.
From the Hardcover edition.
In Priceless, Robert K. Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair.
Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid.
In this page-turning memoir, Wittman fascinates with the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation’s first African-American regiments.
The breadth of Wittman’s exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow.
By the FBI’s accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn’t important. After all, who’s to say what is worth more --a Rembrandt self-portrait or an American flag carried into battle? They're both priceless.
The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners. The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat. The appraiser who stole countless heirlooms from war heroes’ descendants was a slick, aristocratic con man. The museum janitor who made off with locks of George Washington's hair just wanted to make a few extra bucks, figuring no one would miss what he’d filched.
In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.
From the Hardcover edition.
著者について
ROBERT K. WITTMAN spent twenty years as an FBI special agent. He created and was senior investigator for the bureau’s Art Crime Team. Today, he is president of the international art security firm Robert Wittman Inc.
JOHN SHIFFMAN is an investigative reporter at The Philadelphia Inquirer. He has won numerous writing awards and was a 2009 finalist for the Pulitzer Prize.
From the Hardcover edition.
JOHN SHIFFMAN is an investigative reporter at The Philadelphia Inquirer. He has won numerous writing awards and was a 2009 finalist for the Pulitzer Prize.
From the Hardcover edition.
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56 人中、51人の方が、｢このレビューが参考になった｣と投票しています。
A fun, exciting read
2010/6/5
形式:ハードカバー|Amazonが確認した購入
Very much a page-turner. Wittman's got a lot of great stories to tell about why we should appreciate art, how some government agencies have a warped sense of priorities and of course the fascinating ways in which some of the most infamous property crimes in history have played out and his role in them.
There are suave characters, misfit gangsters and plot twists that can make you laugh or cry (depending on how much of an appreciation of art you may have - and if you don't have much of one, you will by the time you finish this book). Some of the "gangster talk" is right out of Hollywood; you wouldn't believe it if dialogue wasn't culled from bugged meet-ups and hidden video. But it's all real! And its told in a style that at times borders on gumshoe noir, which keeps the action lively.
Highly recommended for a fun summer read; I think anyone would enjoy this international thriller and might even learn something along the way.
There are suave characters, misfit gangsters and plot twists that can make you laugh or cry (depending on how much of an appreciation of art you may have - and if you don't have much of one, you will by the time you finish this book). Some of the "gangster talk" is right out of Hollywood; you wouldn't believe it if dialogue wasn't culled from bugged meet-ups and hidden video. But it's all real! And its told in a style that at times borders on gumshoe noir, which keeps the action lively.
Highly recommended for a fun summer read; I think anyone would enjoy this international thriller and might even learn something along the way.
47 人中、39人の方が、｢このレビューが参考になった｣と投票しています。
Perfect summer reading
2010/6/2
形式:ハードカバー
Priceless has just about everything you'd want in a book, with appeal to all sorts of readers. In light of the recent art heist in Paris, this is timely and fascinating. Wittman's exploits do indeed read like a crime thriller, keeping the pages turning in a breathless fashion. I'll definitely buy more copies as gifts!
23 人中、19人の方が、｢このレビューが参考になった｣と投票しています。
RICK "SHAQ" GOLDSTEIN SAYS: "BEHIND THE SCENES OF THE FBI AND STOLEN WORKS OF ART RANGING FROM REMBRANDT TO "THE-BILL-OF-RIGHTS"
2010/6/20
形式:ハードカバー
If you are a connoisseur of crime books that range from criminal psychology to the Mafia to serial killers and beyond... and the thought of reading a book that revolves around some of the world's great works of art... including Matisse... Monet... Rembrandt... Picasso... et al... turns you off... or just plain scares you... hold on a minute! I have a large library of the aforementioned category of crime books and I was extremely apprehensive about buying this book for those very same "artsy" aversions. In retrospect... I'm thrilled that I took the chance and bought this book anyway. What the author, Robert Wittman, a former FBI special agent does so magnificently is he draws the reader in with the usual promise of FBI crime titillation... then educates the reader so gently and rhythmically it becomes an almost subliminal indoctrination into what I had previously viewed as a "hoity-toity" upper-crust world that was not meant for me.
Wittman starts you off with names that any layman would be familiar with such as Rembrandt and Picasso... and then takes you on the same educational journey he himself traveled... such as getting educated in a course at an art gallery that simply takes you aback when you're told: "ON THE WALL IN FRONT OF ME, SURROUNDING A THIRTY-FOOT WINDOW HUNG THREE WORKS WITH A COMBINED WORTH OF HALF A BILLION DOLLARS." (Picasso's "THE PEASANTS"... Matisse's "SEATED RIFFIAN"... and Matisse's "THE DANCE".) What the author does from there on out is not only illuminate the world of art... but he shares such a strong empathy for the people whose works of art have been stolen. At times the victims are individuals... at times the victims are galleries... at times the victims are cities and states... and at times the victims are entire countries. As the flow of the story engulfs you... you... like the author begin to realize that it's actually humanity as a whole that is victimized by these thefts. Being that I consider myself an "average-Joe", I never thought I would feel this way towards these magnificent works of art. That is the gift of this book. Additionally... potential readers will be surprised that valuable artifacts from the civil war that have so much emotional familial value have been stolen and in many cases passed hands by cold-hearted swindles. The author and FBI have gone to great lengths in reacquiring these priceless antiquities and it is all detailed in this wonderfully touching story. I would have never volunteered to sit through a class that claimed to teach the things that I learned in this book... and I would have been far poorer if I had not read this book. Who knew that there were *FOURTEEN ORIGINAL COPIES OF THE BILL OF RIGHTS*... and one was missing for decades? The author shines a light on the fact that most "ART AND ANTIQUITIES THIEVES DON'T LOOK MUCH LIKE PIERCE BROSNAN OR SEAN CONNERY. RATHER, THEY LOOK LIKE GEORGE CSIZMAZIA AND ERNIE MEDFORD, THE ELECTRICIAN AND CUSTODIAN WHO SYSTEMATICALLY STOLE MORE THAN $2 MILLION WORTH OF REVOLUTIONARY WAR AND CIVIL WAR RELICS FROM A PHILADELPHIA MUSEUM." (Note the color pictures the author includes in the book verify that in spades!)
When you finish this first rate crime story you will find that you will be quite knowledgeable in the art field without having made much of an extended effort. It's kind of like walking in a warm summer tropical rainstorm... it was so enjoyable you don't even realize you got wet.
Wittman starts you off with names that any layman would be familiar with such as Rembrandt and Picasso... and then takes you on the same educational journey he himself traveled... such as getting educated in a course at an art gallery that simply takes you aback when you're told: "ON THE WALL IN FRONT OF ME, SURROUNDING A THIRTY-FOOT WINDOW HUNG THREE WORKS WITH A COMBINED WORTH OF HALF A BILLION DOLLARS." (Picasso's "THE PEASANTS"... Matisse's "SEATED RIFFIAN"... and Matisse's "THE DANCE".) What the author does from there on out is not only illuminate the world of art... but he shares such a strong empathy for the people whose works of art have been stolen. At times the victims are individuals... at times the victims are galleries... at times the victims are cities and states... and at times the victims are entire countries. As the flow of the story engulfs you... you... like the author begin to realize that it's actually humanity as a whole that is victimized by these thefts. Being that I consider myself an "average-Joe", I never thought I would feel this way towards these magnificent works of art. That is the gift of this book. Additionally... potential readers will be surprised that valuable artifacts from the civil war that have so much emotional familial value have been stolen and in many cases passed hands by cold-hearted swindles. The author and FBI have gone to great lengths in reacquiring these priceless antiquities and it is all detailed in this wonderfully touching story. I would have never volunteered to sit through a class that claimed to teach the things that I learned in this book... and I would have been far poorer if I had not read this book. Who knew that there were *FOURTEEN ORIGINAL COPIES OF THE BILL OF RIGHTS*... and one was missing for decades? The author shines a light on the fact that most "ART AND ANTIQUITIES THIEVES DON'T LOOK MUCH LIKE PIERCE BROSNAN OR SEAN CONNERY. RATHER, THEY LOOK LIKE GEORGE CSIZMAZIA AND ERNIE MEDFORD, THE ELECTRICIAN AND CUSTODIAN WHO SYSTEMATICALLY STOLE MORE THAN $2 MILLION WORTH OF REVOLUTIONARY WAR AND CIVIL WAR RELICS FROM A PHILADELPHIA MUSEUM." (Note the color pictures the author includes in the book verify that in spades!)
When you finish this first rate crime story you will find that you will be quite knowledgeable in the art field without having made much of an extended effort. It's kind of like walking in a warm summer tropical rainstorm... it was so enjoyable you don't even realize you got wet.
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