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商品の説明
内容説明
Packed with illustrations that illuminate and a text that entertains and informs, this book explains the methods and techniques of animation preproduction with a focus on story development and character design.
Story is the most important part of an animated film-and this book delivers clear direction on how animators can create characters and stories that have originality and appeal. Learn how the animation storyboard differs from live action boards and how characters must be developed simultaneously with the story. Positive and negative examples of storyboard and character design are presented and analyzed to demonstrate successful problem-solving techniques. Artwork from an international array of students and professionals supplement the author's own illustrations. Three never-before-published interviews with well known development artists and a comprehensive glossary are also included.
Written and illustrated by a renowned animator with 30 years experience as producer, designer, and story artist.
Storyboard and character design examples from an international array of students and professionals.
Positive and negative examples illustrate the techniques.
Story is the most important part of an animated film-and this book delivers clear direction on how animators can create characters and stories that have originality and appeal. Learn how the animation storyboard differs from live action boards and how characters must be developed simultaneously with the story. Positive and negative examples of storyboard and character design are presented and analyzed to demonstrate successful problem-solving techniques. Artwork from an international array of students and professionals supplement the author's own illustrations. Three never-before-published interviews with well known development artists and a comprehensive glossary are also included.
Written and illustrated by a renowned animator with 30 years experience as producer, designer, and story artist.
Storyboard and character design examples from an international array of students and professionals.
Positive and negative examples illustrate the techniques.
Book Description
Packed with illustrations that illuminate and a text that entertains and informs, this book explains the methods and techniques of animation preproduction with a focus on story development and character design.
Story is the most important part of an animated film—and this book delivers clear direction on how animators can create characters and stories that have originality and appeal. Learn how the animation storyboard differs from live action boards and how characters must be developed simultaneously with the story. Positive and negative examples of storyboard and character design are presented and analyzed to demonstrate successful problem-solving techniques. Artwork from an international array of students and professionals supplement the author's own illustrations. Three never-before-published interviews with well known development artists and a comprehensive glossary are also included.
Story is the most important part of an animated film—and this book delivers clear direction on how animators can create characters and stories that have originality and appeal. Learn how the animation storyboard differs from live action boards and how characters must be developed simultaneously with the story. Positive and negative examples of storyboard and character design are presented and analyzed to demonstrate successful problem-solving techniques. Artwork from an international array of students and professionals supplement the author's own illustrations. Three never-before-published interviews with well known development artists and a comprehensive glossary are also included.
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カスタマーレビュー
最も参考になったカスタマーレビュー
1 人中、1人の方が、｢このレビューが参考になった｣と投票しています。
形式:ペーパーバック
キャラクターの作り方、物語への展開方法、ストーリーボード、でき上がったもののプレゼンテーションへなど総合的なアニメへの入門書。
私にとってのこの本の魅力は、次々と出てくる様々なキャラクターの絵にある。実に魅力的なアニメ調の（劇画調でない）絵は次々と模写をしたくなる。本文を読みながら絵を読む。さすがにアニメを論じている本であり、絵が凄い説得力とユーモアをにじませている。たまたまこの本がアニメの指導書だから絵が多数ででくるのは当然という気もするが、こんな風な絵で世の中の本が作られていたなら本を買う楽しみが一層ますであろう。
本の中身はプレビューできるようになっているので細かくは述べないが、日本語で書かれたアニメ技術書やマンガ技術書にはない緩いキャラクターをベースにした技術書と要約できようか。
私はこの本を何遍もめくり何度も模写を繰り返した。
ストーリーボードに特化した技術書としては The Storyboard Design Course (Giuseppe Cristiano著）も手元にあるが、自分としてはPrepare to Board! の方が頻繁に本棚から引き出して眺めかつ読む。
私にとってのこの本の魅力は、次々と出てくる様々なキャラクターの絵にある。実に魅力的なアニメ調の（劇画調でない）絵は次々と模写をしたくなる。本文を読みながら絵を読む。さすがにアニメを論じている本であり、絵が凄い説得力とユーモアをにじませている。たまたまこの本がアニメの指導書だから絵が多数ででくるのは当然という気もするが、こんな風な絵で世の中の本が作られていたなら本を買う楽しみが一層ますであろう。
本の中身はプレビューできるようになっているので細かくは述べないが、日本語で書かれたアニメ技術書やマンガ技術書にはない緩いキャラクターをベースにした技術書と要約できようか。
私はこの本を何遍もめくり何度も模写を繰り返した。
ストーリーボードに特化した技術書としては The Storyboard Design Course (Giuseppe Cristiano著）も手元にあるが、自分としてはPrepare to Board! の方が頻繁に本棚から引き出して眺めかつ読む。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
33件のカスタマーレビュー
13 人中、12人の方が、｢このレビューが参考になった｣と投票しています。
Fantastic!
2007/11/6
形式:ペーパーバック|Amazonが確認した購入
"Prepare to Board" covers most pre-production aspects of an animation project, but focuses mostly on storyboarding and character design. This book does a better job on both these subjects than most other books can manage on just one.
A lot of storyboarding books out there focus on the live action or advertising methods where boards are used to illustrate an existing script a sell a rough concept to non-creative executives. The methods Nancy Beiman shows are far better suited to animation's use of storyboards to create the story itself.
Along with guidelines on how to increase the cinematic storytelling power of your boards, there are also plenty of tips on how to get that power across when presenting boards to others.
When it comes to character design, "Prepare to Board" is up there with Tom Bancroft's "Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels" as one of the few indispensable resources on the subject. All of her advice is aimed at making your character designs more functional for animation & storytelling (the most important asset of any character) as well as being unique individuals rather than stock characters.
The lessons Beiman shares in this book are exactly what you need to build a strong foundation for any animated project.
A lot of storyboarding books out there focus on the live action or advertising methods where boards are used to illustrate an existing script a sell a rough concept to non-creative executives. The methods Nancy Beiman shows are far better suited to animation's use of storyboards to create the story itself.
Along with guidelines on how to increase the cinematic storytelling power of your boards, there are also plenty of tips on how to get that power across when presenting boards to others.
When it comes to character design, "Prepare to Board" is up there with Tom Bancroft's "Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels" as one of the few indispensable resources on the subject. All of her advice is aimed at making your character designs more functional for animation & storytelling (the most important asset of any character) as well as being unique individuals rather than stock characters.
The lessons Beiman shares in this book are exactly what you need to build a strong foundation for any animated project.
7 人中、7人の方が、｢このレビューが参考になった｣と投票しています。
Excellent and very inspirational!
2007/4/9
形式:ペーパーバック|Amazonが確認した購入
I'm just an amateur artist and animator wannabee... but I have found this book to be very inspirational and am now finding new characters just flowing from my pencil tip (or tablet stylus :-P ) so much easier now... Nancy is a top-notch artist and is equally a top-notch teacher as well.
5 人中、5人の方が、｢このレビューが参考になった｣と投票しています。
Loved it.
2007/7/31
形式:ペーパーバック|Amazonが確認した購入
I am not an artist, so can't comment much on the core of the book (although, as a layman, I found the explainations extremely clear).
I LOVED the interviews with Ken Anderson, Ken O'Connor and T- Hee as well as the way they were illustrated (there were quite a few documents that I had never seen before).
I LOVED the interviews with Ken Anderson, Ken O'Connor and T- Hee as well as the way they were illustrated (there were quite a few documents that I had never seen before).
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