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Track Listings
| 1. Bismillahi 'Rrahmani 'Rrahim |
| 2. Two Songs: Let Us Go into the House of the Lord/Butterfly Sunday |
| 3. Madrigals of the Rose Angel: Rosetti Noise/The Crystal Garden and a Co |
| 4. Juno |
Product Description
Amazon.co.jp
かつてはアヴァンギャルドの作曲家で、その後アンビエントの先駆者となったハロルド・バッドの1978年のレコーディングデビューで、1972~75年に作曲された4曲の室内楽が収められており、ハープ、鍵盤打楽器、ピアノ、サックス、それに男女のヴォーカルがさまざまに組み合わせられている。この2年前のブライアン・イーノ（このアルバムのプロデューサー）との宿命的な最初のスタジオ・コラボレーションにおいて、バッドはアコースティックで、眠りを誘うような音楽を作り出してた。このアルバムに入っている「Two Rooms」の後半はジョン・コルトレーンの『アフター・ザ・レイン』（原題『After the Rain』）の改作になっているが、これを含んだ全曲はどれも夢のような雰囲気をかもし出している。バッドにとって大切な信条は、自分が逃げ出したうるさいアヴァンギャルド音楽への解毒剤として、できるだけ美しい音楽を作ることだった。ここで作られている美しい音楽に欠点を見つけることはできないが、彼の映画音楽により親しんでいるファンは不意をつかれるかもしれない。ともかく、心地よい「Pavilion of Dreams」（邦題「夢のパビリオン」）は、バッドの過去への洞察を見せてくれ、やさしい子守唄のように眠りを誘う効果があり、夜遅くに聴くにはぴったりの1枚だ。（Bryan Reesman, Amazon.com）
From Amazon.com
The 1978 recording debut from reformed avant-garde composer and eventual ambient forerunner Harold Budd consists of four chamber works (written between 1972 and 1975) that use varying combinations of harp, mallet instruments, piano, saxophone, and female or male vocals. Two years before his fateful first studio collaboration with Brian Eno (who produced this album), Budd was creating hypnotic music in an acoustic mode. All of the works herein--including "Two Rooms," whose latter half is an adaptation of John Coltrane's "After the Rain"--sustain a similarly dreamy vibe. An important credo for Budd was to make music as pretty as possible as an antidote to the noisy avant-garde he had escaped from. One cannot fault him for the lovely sounds he creates here, although fans familiar with his more cinematic works might be caught off-guard. Regardless, the pleasant Pavilion of Dreams provides insight into Budd's past, and it offers the same somniferous effect as a gentle lullaby, making it perfect for late-evening listening. --Bryan Reesman
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