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最も参考になったカスタマーレビュー
8 人中、6人の方が、｢このレビューが参考になった｣と投票しています。
形式:ペーパーバック
前書きによると、著者のPat Methenyがウォーミングアップで弾いたものを
譜面に起こしたのが本書の内容のようです。そのためか、技法の解説などは
一切なく、ただ14曲分の譜面のみが収録されています。
曲の長さはまちまちですが、どの曲もクロマチック／スケール練習が
数十〜数百小節ほど続きます。個人的には、それなりにポジション移動、
弦移動があり、良い練習になると感じます。
上述の通り、通常の教則本とは異なる性格のため、評価は３としています。
"Etude"以上でも以下でもないですが、そこに本書の価値があるのでしょう。
誰にでもお勧めするものではないですが、初心者からもう少し
レベルアップしたい人は、買っておいて損はないと思います。
譜面に起こしたのが本書の内容のようです。そのためか、技法の解説などは
一切なく、ただ14曲分の譜面のみが収録されています。
曲の長さはまちまちですが、どの曲もクロマチック／スケール練習が
数十〜数百小節ほど続きます。個人的には、それなりにポジション移動、
弦移動があり、良い練習になると感じます。
上述の通り、通常の教則本とは異なる性格のため、評価は３としています。
"Etude"以上でも以下でもないですが、そこに本書の価値があるのでしょう。
誰にでもお勧めするものではないですが、初心者からもう少し
レベルアップしたい人は、買っておいて損はないと思います。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
15件のカスタマーレビュー
24 人中、20人の方が、｢このレビューが参考になった｣と投票しています。
Thank's for the let down Pat
2011/10/2
形式:ペーパーバック|Amazonが確認した購入
So I just got this book today and have been excited for about a week and a half since I pre-ordered it. I collect instructional material and enjoy etude books in general. This one is bare bones to say in the least.
To start 98% of the book is straight eights. There is one etude that's in 6/8 but it's still all eight note triplets. So don't expect to take any interesting rhythmic concepts away from this book. Also this is all single note improv with no backing chord structure. Not that the chords he's implicating are seriously complex or anything, but it does leave you hanging in a big way. Because there's no backing chords there's no real harmonic analysis that can be done, so even if you think the diminished line you just read sounds cool there's no new understanding of how Pat would superimpose it.
On the positive side of things this book does represent a decent set of coordination exercises. Theoretically you could apply your own chord structures to figure out harmonic application and you would certainly come away richer for the experience. But I didn't buy this book because I wanted to fill in the blanks. I bought it because Pat Metheny wrote it and I believed it would give me some sort of insight into his approach of applying structures over chords. I hoped he may reveal some thought process behind each warmup. Sadly he provides nothing close to this.
If you want a book of jazz etudes your money is much better spent on Greg Fishman's "Jazz Guitar Etudes". Pat sums up what this book is about in his intro when he says he just recorded himself warming up before some gigs. He took those recordings, sent them to a transcriber at Hal Leonard, they printed his name in giant letters on the top of the book and he's made a quick buck. And he barely had to do anything out of the ordinary! I'm not saying Pat's not smart, I just don't enjoy folks being smart at my expense. Do yourself a favor and buy the aforementioned book or technique book. Better yet, buy Pat's albums and transcribe them (you may actually learn something). Just don't bother wasting your money on this, don't encourage more artists to be so lazy. I expected better out of you Pat.
To start 98% of the book is straight eights. There is one etude that's in 6/8 but it's still all eight note triplets. So don't expect to take any interesting rhythmic concepts away from this book. Also this is all single note improv with no backing chord structure. Not that the chords he's implicating are seriously complex or anything, but it does leave you hanging in a big way. Because there's no backing chords there's no real harmonic analysis that can be done, so even if you think the diminished line you just read sounds cool there's no new understanding of how Pat would superimpose it.
On the positive side of things this book does represent a decent set of coordination exercises. Theoretically you could apply your own chord structures to figure out harmonic application and you would certainly come away richer for the experience. But I didn't buy this book because I wanted to fill in the blanks. I bought it because Pat Metheny wrote it and I believed it would give me some sort of insight into his approach of applying structures over chords. I hoped he may reveal some thought process behind each warmup. Sadly he provides nothing close to this.
If you want a book of jazz etudes your money is much better spent on Greg Fishman's "Jazz Guitar Etudes". Pat sums up what this book is about in his intro when he says he just recorded himself warming up before some gigs. He took those recordings, sent them to a transcriber at Hal Leonard, they printed his name in giant letters on the top of the book and he's made a quick buck. And he barely had to do anything out of the ordinary! I'm not saying Pat's not smart, I just don't enjoy folks being smart at my expense. Do yourself a favor and buy the aforementioned book or technique book. Better yet, buy Pat's albums and transcribe them (you may actually learn something). Just don't bother wasting your money on this, don't encourage more artists to be so lazy. I expected better out of you Pat.
13 人中、11人の方が、｢このレビューが参考になった｣と投票しています。
IT'S ABOUT TIME!
2011/10/1
形式:ペーパーバック|Amazonが確認した購入
If you are a long-time fan of Pat (or even if you heard him for the first time today) and fellow guitarist, you're probably thinking one thing -- "how does he play like that?!" Pat Metheny has such a unique style of playing and creating, which can be sometimes difficult to unravel from old-fashioned transcribing. But FINALLY, this book lets you into the mind of this musical genius!
I have only owned this book for ONE day and have barely scratched the surface; however, I already have a ton great things to say about this book. First - be sure to read the Preface before beginning. In regards to content, Pat explains that these exercises (pretty much) have no specific lesson... which I think is great! The exercises were warm-up routines that Pat played before some concerts he did while on tour in Italy - All of which were improvised. He simply recorded the exercises each night and then transcribed them out. You are left to interpret the ideas and lines in your own way, which is kind of like a theory lesson built-in to the exercise. After playing through an exercise a few times, you'll go "Oooooh, that's what that is" or "I've heard him do THAT before." It's great!
Pat DOES acknowledge that the études were/are intended for two purposes: right hand technique and dexterity throughout the fret board. And this is certainly the truth! In a matter of 24-bars, you are playing all over the fretboard. You really begin to see patterns in new ways and new shapes. And if you think you are stumbling on something because of the left hand fingering, check out what your right hand is doing....
One last thing -- there are no chords symbols, finger numbers, or position numerals. There are notes and tabs. That's it. Again - Leaving it up to your interpretation.
I have only owned this book for ONE day and have barely scratched the surface; however, I already have a ton great things to say about this book. First - be sure to read the Preface before beginning. In regards to content, Pat explains that these exercises (pretty much) have no specific lesson... which I think is great! The exercises were warm-up routines that Pat played before some concerts he did while on tour in Italy - All of which were improvised. He simply recorded the exercises each night and then transcribed them out. You are left to interpret the ideas and lines in your own way, which is kind of like a theory lesson built-in to the exercise. After playing through an exercise a few times, you'll go "Oooooh, that's what that is" or "I've heard him do THAT before." It's great!
Pat DOES acknowledge that the études were/are intended for two purposes: right hand technique and dexterity throughout the fret board. And this is certainly the truth! In a matter of 24-bars, you are playing all over the fretboard. You really begin to see patterns in new ways and new shapes. And if you think you are stumbling on something because of the left hand fingering, check out what your right hand is doing....
One last thing -- there are no chords symbols, finger numbers, or position numerals. There are notes and tabs. That's it. Again - Leaving it up to your interpretation.
5 人中、4人の方が、｢このレビューが参考になった｣と投票しています。
OK so it is a book of WARMUP SEQUENCES - by Pat M.
2011/12/3
形式:ペーパーバック|Amazonが確認した購入
I think that people that expected some degree of musical beauty inherent to Pat's solos may be disappointed. This is just a book of warmup sequences and the author happens to be Pat Metheny. You can expect certain degree of repetitiveness - same phrase moving up and down the neck. And as far as warmup exercises go those are OK - but I would not go as far as calling them "jazz etudes". They usually progress from simpler position to ones that require more stretches - as warmup exercises should. I plan to work thru them slowly and memorize some parts to incorporate in my warmups. Bottom line - think "warmup" first and "Metheny" last and you may avoid some disappointment.
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