|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
登録情報
|
この商品にタグをつける(詳細)タグは、商品との関連性が非常に強いキーワードまたはラベルのようなものです。
タグにより、すべてのお客様がお気に入りの商品の整理と確認を行うことができます。 ※タグは初期設定で公開になっています。詳しくはこちら |
カスタマーレビュー
最も参考になったカスタマーレビュー
21 人中、21人の方が、｢このレビューが参考になった｣と投票しています。
アメリカのガラスビーズ（とんぼ玉）作りの指導書
穴あきの装飾用ガラス玉をバーナーワークで作る方法を紹介している。
シアトル在住の著者（コリーナ・テッティンガー女史）が，
自分の持っている技法を包み隠さず紹介している。
手順の写真も豊富で，英語が苦手な人でも十分参考になる。
穴あきの装飾用ガラス玉をバーナーワークで作る方法を紹介している。
シアトル在住の著者（コリーナ・テッティンガー女史）が，
自分の持っている技法を包み隠さず紹介している。
手順の写真も豊富で，英語が苦手な人でも十分参考になる。
更に英語が堪能ならば，バーナーワークに関する知恵を記した小コラムは大変参考になる。
序文によれば著者は技法のDVD化も考えているとか。
翻訳版が出れば，ベストセラー間違いなしだと思います。
装丁は，アメリカの実用書でしばしば使われるルーズリーフ式で，ページを開きやすくなっているが，紙の傷みやページの逸失が心配になる。
最近（2003年）第２版(追補版）が出版された。
Amazon.com で最も参考になったカスタマーレビュー (beta)
Amazon.com:
128件のカスタマーレビュー
31 人中、31人の方が、｢このレビューが参考になった｣と投票しています。
Truly Amazing
2004/3/28
When I saw the price tag on this book, I almost said forget it-- I am so glad I didn't! I now find myself stalking Corina's glass (don't worry, Corina, I am not stalking you - just the beads!). She is a true inspiration and wonderful for sharing her knowledge.
The book is both fun and informative - makes you not want to put it down!
If you are like me, just trying to get started, and not really wanting to spend so much on a book, think again...this book is worth more then you would think - and you really are missing out if you try to skip this!
18 人中、18人の方が、｢このレビューが参考になった｣と投票しています。
Wonderful Book, Wonderful Artist, Wonderful Beads!
2006/10/10
First, let me say that before reading this book, I had read what I happen to consider the "Bible" of Glass Beadmaking, "Making Glass Beads" by Cindy Jenkins.
That being said, Corina Tettinger's book is the perfect follow-up to Jenkins book. Still, it isn't necessary to purchase or read Jenkin's book first, as Tettinger covers many of the same numerous details that you need to know if you plan to get into this type of artwork which requires patience, dedication, and a sense of humor.
This book is wonderful for many reasons, not the least of which is that it is bound in such a way that you can leave the book open to a particular page. So, if you need to prop the book up to look at the technique you are attempting, the book does not "fight" you while doing it.
The book itself is in a large format and the photographs are very well taken (and I speak as somewhat of an expert on this, after 35 years as a photographer) so I always want photographs to "explain" the technique to me as well as the written word.
And you are able to see the technique that Tettinger is describing, step by step, just as in Jenkin's book, which, while less expensive, is also physically smaller.
I also discovered that Tettinger will have examples of her beads for sale on eBay from time to time, and it's fun to be able to contact her if you have a question about a particular bead technique. She is very friendly and humble regarding her work.
If you keep track of her auctions you will see that her beads go for a very high price with many bidders. But like the book, they are worth every penny.
The book is costly,I paid around $85.00 for mine, but I purchased it right after it was printed and I wasn't about to wait for the price to go down, that is how much I wanted her book.
You definitely get what you pay for here. And, should she ever decide to write another followup book that is as large and as informative, I would most certainly buy it.
That being said, Corina Tettinger's book is the perfect follow-up to Jenkins book. Still, it isn't necessary to purchase or read Jenkin's book first, as Tettinger covers many of the same numerous details that you need to know if you plan to get into this type of artwork which requires patience, dedication, and a sense of humor.
This book is wonderful for many reasons, not the least of which is that it is bound in such a way that you can leave the book open to a particular page. So, if you need to prop the book up to look at the technique you are attempting, the book does not "fight" you while doing it.
The book itself is in a large format and the photographs are very well taken (and I speak as somewhat of an expert on this, after 35 years as a photographer) so I always want photographs to "explain" the technique to me as well as the written word.
And you are able to see the technique that Tettinger is describing, step by step, just as in Jenkin's book, which, while less expensive, is also physically smaller.
I also discovered that Tettinger will have examples of her beads for sale on eBay from time to time, and it's fun to be able to contact her if you have a question about a particular bead technique. She is very friendly and humble regarding her work.
If you keep track of her auctions you will see that her beads go for a very high price with many bidders. But like the book, they are worth every penny.
The book is costly,I paid around $85.00 for mine, but I purchased it right after it was printed and I wasn't about to wait for the price to go down, that is how much I wanted her book.
You definitely get what you pay for here. And, should she ever decide to write another followup book that is as large and as informative, I would most certainly buy it.
67 人中、55人の方が、｢このレビューが参考になった｣と投票しています。
The excellent information on techniques gets 5 stars...
2004/7/13
This book provides a wealth of how-to information on soft glass beadmaking and how to achieve various effects. The step-by-step instructions and pictures are excellent -- there is a lot of information that I haven't found anywhere before in print. A lot of the stunning techniques are broken down and demystified for the beginning beadmaker. I can see why so many others have rated this book so highly. I would definitely give the how-to content 5 stars.
There are only a couple of things that prevent me from giving this book 5 stars overall. One thing is the many typos. While this might not bother some, to me they were distracting, and made the book seem that much less professional. I don't necessarily blame the author so much as the editor -- these are things that should have been caught easily during editing. Perhaps they will be corrected in later editions.
The second (and more serious) issue I had was that of safety. While the author does talk about studio safety and what others do, it seemed that she trivialized some aspects and even mentioned that she does not always follow the recommendations herself. It's true that she is just being honest about how she works; however, with so many people looking up to her as a lampwork expert/role model, and using this book in lieu of taking a class, this is a bit disquieting. More is being discovered every day about the various hazards, as well as how they can be minimized, and even if she does not plan to follow all of the recommendations, I wish she had been a bit less casual about such an important topic.
Other than this, the book really is a wonderful resource. I would recommend it to first-time lampworkers as long as they do additional research on the safety issues, gathering information from other experts as well as from this book.
これらのレビューは参考になりましたか？
ご意見はクチコミでお聞かせください。
リストマニア
|
|
関連商品を探す
同じキーワードの商品を探す
フィードバック
- カタログ情報、または画像について報告
- 著者からのコメント
- 出版社からのコメント
